Results 11 to 20 of about 67,200 (220)

In search of Godard’s ‘Sauve la vie (qui peut)’

open access: yesNECSUS, 2015
This article examines a little-known compilation film titled Sauve la vie (qui peut) that Jean-Luc Godard created in 1981 within the framework of a series of lectures on cinema history that he delivered in Rotterdam in 1980-1981. To make this compilation
Michael Witt
doaj   +1 more source

Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard by Albertine Fox

open access: yesAlphaville: Journal of Film and Screen Media, 2019
Enfant terrible, celluloid deity,and self-construed “composer” of film, Jean-Luc Godard requires scant introduction in any undertaking that concerns the on-screen arts.
Caitríona Walsh
doaj   +1 more source

The Ethics of Uncovering Something Else in Histoire(s) du cinema

open access: yesJournal of French and Francophone Philosophy, 2014
In lieu of an abstract, here is the essay's opening paragraph: Marguerite Duras prefaces the second edition of Le navire night, from which an excerpt is cited above, by explaining that after writing the story of a man named J.M., everything came too ...
Jiewon Baek
doaj   +1 more source

Chemical probes of turbulence in the diffuse medium: the TDR model [PDF]

open access: yes, 2014
Context. Tens of light hydrides and small molecules have now been detected over several hundreds sight lines sampling the diffuse interstellar medium (ISM) in both the Solar neighbourhood and the inner Galactic disk. They provide unprecedented statistics
Falgarone, Edith   +2 more
core   +4 more sources

HCO, c-C3H and CF+ : three new molecules in diffuse, translucent and "spiral-arm'' clouds [PDF]

open access: yes, 2014
%methods {We used the EMIR receiver and FTS spectrometer at the IRAM 30m to construct absorption spectra toward bright extra-galactic background sources at 195 kHz spectral resolution ($\approx$ 0.6 \kms).
Gerin, M.   +3 more
core   +7 more sources

Juan A. Hernández Les y su “verdadera” historia del cine

open access: yesFotocinema: Revista Científica de Cine y Fotografía, 2020
En el otoño de 1978 Juan-Luc Godard aceptó la oferta del Conservatoire dÁrt Cinèmatographique de Montrèal para impartir un curso que tituló: “Introducción a una verdadera historia del cine”. Godard con el término “verdadera” se refería a que estaba hecha
Fermín Galindo Arranz
doaj   +1 more source

Molecular absorption lines toward star-forming regions : a comparative study of HCO+, HNC, HCN, and CN [PDF]

open access: yes, 2010
Aims. The comparative study of several molecular species at the origin of the gas phase chemistry in the diffuse interstellar medium (ISM) is a key input in unraveling the coupled chemical and dynamical evolution of the ISM. Methods.
Adams   +67 more
core   +4 more sources

Comparative study of CH+ and SH+ absorption lines observed towards distant star-forming regions [PDF]

open access: yes, 2012
Aims. The HIFI instrument onboard Herschel has allowed high spectral resolution and sensitive observations of ground-state transi- tions of three molecular ions: the methylidyne cation CH+, its isotopologue 13CH+, and sulfanylium SH+.
Abel   +102 more
core   +5 more sources

Um Historiador Cineasta

open access: yesAniki: Revista Portuguesa da Imagem em Movimento, 2016
No seu novo livro intitulado Jean-Luc Godard, Cinema Historian (2013), Michael Witt aborda alguns dos mais complexos e importantes aspectos da multifacetada obra de Jean-Luc Godard. Partindo de Histoire(s) du Cinéma (1998) como objecto de estudo central,
Miguel Mesquita Duarte
doaj   +1 more source

Farocki/Godard: Film as Theory [PDF]

open access: yes, 2015
There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by ...
Pantenburg, Volker, virtual::7582, -1
openaire   +4 more sources

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