Results 51 to 60 of about 4,317 (179)
The Stylistic Uses of Gothic Passive Constructions
Vertimo Studijos, 2019 This paper explores the variation between non-past (present and future) synthetic and periphrastic passive verb forms in the Gothic Gospels in an effort to evaluate the possibility that the availability of functionally identical forms of the passive was ...
Artūras Ratkus
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Marfins góticos: novos estudos
Visualidades, 2018 Marfins góticos: novos estudos Nos últimos vinte anos, estudos inovadores vêm resgatando a importância e os significados dos objetos entalhados em marfim elaborados durante o gótico europeu.
Flavia Galli Tatsch
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Les ivoires gothiques : foisonnement et renouveau des études
Perspective, 2017 Since the 1970s, the study of Gothic ivories has undergone a genuine revival that has further flourished in recent years, thanks in particular to the Courtauld Institute of Art online database containing more than five thousand pieces.
Michele Tomasi
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Fear as an object of aesthetic reflection in parodies of the gothic novel
Известия Южного федерального университета: Филологические науки, 2015 The article explores superstitious fear artistically represented in the Gothic novels by Ann Radcliffe (The Romance of the Forest, 1791; The Mysteries of Udolfo, 1794; The Italian, 1797) and in late 18th -19th century parodies of the Gothic novel ...
Moysik Natalya Grigorievna
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Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2013 Gothic cinema has always relied on the contrast of light and darkness. The shadows that people it have never ceased to appear in various guises — as shadows cast by bodies, as ghosts, spirits or doppelgängers.
Jean-François Baillon
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BetweenIl numero si concentra sulla relazione tra il Gotico contemporaneo e le innovazioni tecnologiche da prospettive e media diversi. Le narrazioni gotiche hanno costantemente risposto agli sviluppi tecnologici — dalle prime ansie riguardo alle scoperte ...
Anna Chiara Corradino +2 more
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An Analysis of the Southern Gothic Genre in William Faulkner’s “A Rose for Emily”
J-LaliteThis study analyzes the Southern Gothic genre in Faulkner’s “A Rose for Emily.” This study is developed based on the gaps in several previous studies, which primarily emphasized the structure and narrative impacts on readers’ comprehension, the values ...
Muhlisin Muhlisin, Dedi Aprianto
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La influencia de la literatura gótica en Francia: traducciones francesas y relatos de Ducray-Duminil y Arlincourt [PDF]
Çédille: Revista de Estudios Franceses, 2015 This paper deals with the influence and diffusion of the «Gothic Fiction» or «Gothic Novel» in France through French translations which appeared almost at the same time as their original English texts; for instance, Horace Walpole’s The Castle of Otranto
Ángeles García Calderón
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The terms “Gothic” and “Neogothic” in the context of Literary History
RUDN Journal of Studies in Literature and Journalism, 2014 The article deals with the problem of Gothic style in Western literature. The main part of the text is devoted to the issues of its origin and cultural background, the origin of the term itself and its application to fiction, the main stages of the ...
O V Razumovskaja
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Women Reprimanding Women: The Gothic Parody and its Social Criticism
European Journal of American StudiesIn the late eighteenth century, the Gothic parody, ridiculing the generic traits of the Gothic novel, often directed their humor at the parody heroine. Specifically, the didactic Gothic parody aimed at educating the heroine into a normative, gender-role ...
Kerstin-Anja Münderlein
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