Results 31 to 40 of about 3,888 (185)

A Two-Factor Model for Perception of Graffiti by Metropolis Dwellers

open access: yesНаучный диалог
This study aims to describe the specific patterns of how urban residents evaluate graffiti texts. Data processing was carried out using the semantic differential technique, frequency analysis, descriptive statistics, comparative analysis, multimodal ...
M. R. Babikova, O. V. Kruzhkova
doaj   +1 more source

EFEK EKOLOGI VISUAL DAN SOSIO KULTURAL MELALUI GRAFFITI ARTISTIK DI SURABAYA

open access: yesNirmana, 2005
The research explores the issue of graffiti especially artistic graffiti that recently has been developing rapidly in Surabaya. The research purpose is to expose scientifically the motivation behind the creation of graffiti from the creator (known in the
Obed Bima Wicandra dan Sophia Novita Angkadjaja
doaj  

‘A Sort of Armed Argument’: Ireland's Civil War of Words

open access: yesHistory, EarlyView.
Abstract This article sets out to contribute to the study of the languages of European civil wars through outlining and analysing the deployment of language as a weapon by the opposing sides of the Irish independence movement that split over the terms of the Anglo‐Irish Treaty of December 1921.
DONAL Ó DRISCEOIL
wiley   +1 more source

Post-Graffiti in Lisbon: On spatial localization and market absorption

open access: yesCidades, Comunidades e Território, 2017
Graffiti-making has been historically well located within the politics of territoriality/ transgression, deindustrialization/ decline, appropriation/ affirmation and other such inter-related frameworks.
Rohit Revi
doaj  

'Just as good a place to publish': Banksy, Graffiti and the Textualisation of the Wall [PDF]

open access: yesRupkatha Journal on Interdisciplinary Studies in Humanities, 2010
The article focuses on the work of the (in)famous graffiti artist Banksy, as a way into discussing the wider artistic and textual aspects of graffiti-art.
Anindya Raychaudhuri
doaj  

FEMINISTS VERSUS MONUMENTS? From Protests to Anti‐monuments in Mexico City

open access: yesInternational Journal of Urban and Regional Research, EarlyView.
Abstract This article examines the role of heritage spaces and monuments in the Historic Centre of Mexico City during ongoing feminist mobilizations. Feminists have claimed that the Mexican government is more concerned about protecting monuments and urban heritage than acting to prevent gender‐based violence and femicide.
Fernando Gutiérrez
wiley   +1 more source

Revolution, Graffiti and Copyright: The Cases of Egypt and Tunisia

open access: yesThe African Journal of Information and Communication, 2015
During and after the Arab uprisings in 2011, there was an outburst of creative production in Egypt and Tunisia, serving as a means to counter state-controlled media and to document alternative narratives of the revolutions.
Nagla Rizk
doaj   +3 more sources

VISUAL NEGOTIATIONS OF GENTRIFICATION IN TORONTO: Contestation, Politicization and Resistance through Urban Signage

open access: yesInternational Journal of Urban and Regional Research, EarlyView.
Abstract This article engages signage as a medium through which urban stakeholders negotiate the politics of housing redevelopment and gentrification in cities. Focusing on Toronto, we examine housing‐related signage in three neighbourhoods where social mix approaches to redevelopment have ushered in gentrification: Parkdale, Regent Park, and Moss Park.
Lindi Jahiu   +2 more
wiley   +1 more source

Innovative Industrial Technologies for Preventive Anti-Graffiti Coating

open access: yesMATEC Web of Conferences, 2017
Graffiti is the main issue in terms of acts of vandalism with public transport. Hardly any suburban train, commuter train or goods train, hardly any engineering building, station or noise barrier wall escape graffiti spraying.
Heinisch Martin, Miricescu Dan
doaj   +1 more source

The Graffiti

open access: yes, 2020
In addition to the formal reliefs and texts, the limestone revetment and columns in the superstructure of the tomb of Ptahemwia bear several dozen unofficial inscriptions and depictions, some incised, some written in red ochre (dipinti). These graffiti warrant further analysis for two reasons.
Pelt, W.P. van, Staring, N.T.B.
openaire   +2 more sources

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