Results 81 to 90 of about 3,888 (185)
GRAFFITI AS PROTEST ART IN STREET WORKS: A CULTURAL STUDIES THEORY ANALYSIS
Graffiti as street art has long been an effective medium of social expression to voice dissatisfaction with social, political, and economic conditions. In the Indonesian context, graffiti developed as a means of protest art that reflects the collective ...
Muhammad Budi Harjono +2 more
doaj +1 more source
ABSTRACT The popular economy is a subjective economic community in Nicaragua. It is sustained by the imaginative and material labors of worker‐producers organized in households, cooperatives, and other self‐managing associations. This article demonstrates the popular economy's importance to the format of work, wealth, and welfare in contemporary ...
Jonah Walters
wiley +1 more source
Experiencing the summer 2024 UK riots: Reflections from North East England
Short Abstract This commentary focuses on the lived experiences of a hijabi Muslim woman during the 2024 riots in the UK. Abstract In this commentary, Taj Khan – a community activist based in Newcastle upon Tyne – reflects upon her experiences and negotiations of the summer 2024 UK riots.
Taj Khan, Peter Hopkins
wiley +1 more source
Different forms of cross-linguistic interactions in learners’ graffiti in Zimbabwe have not received attention in empirical multilingualism research.
Piason Makarati, Kufakunesu Zano
doaj +1 more source
Computational Analysis of Contested Monuments and Collective Memory in a Multiethnic City
Short Abstract This study analyses how four monuments in the centre of Cluj‐Napoca reflect Romanian‐Hungarian relations and the negotiation of collective memory, based on a combination of media analysis and computational methods. The results indicate a recent intensification of public discourse and suggest a transition towards communicative governance ...
Alexandru‐Sabin Nicula +3 more
wiley +1 more source
Graffiti on two buildings of different status, a prison in Montélimar and a town hall in Châtillon-en-Diois, are studied and compared. Most of the graffiti was produced during the 19th and 20th centuries.
Philippe Hameau
doaj +1 more source
Images Assisting Wor[l]ds: Black History Murals in South and West Philadelphia
ABSTRACT Black history murals are often understood as examples of state or corporate obfuscation of racial inequality, sometimes known as “artwashing”; or, conversely, as “insurgent” political interventions. Focusing on murals in historically Black neighborhoods in South and West Philadelphia, this article instead highlights the processual, but no less
Gareth Millington +1 more
wiley +1 more source
Graffiti is often seen as a way for young people to find their identities, or to merely show their existence. Because their actions are seen as destructive, they are also often confronted by the city's patrol units and even by the police.
Obed Bima Wicandra
doaj
Types and Effectiveness of Public Policy Measures Combatting Graffiti Vandalism at Heritage Sites
Graffiti vandalism poses a major threat to cultural heritage. This review paper aims to identify and describe policy measures for combatting graffiti vandalism on heritage assets, which is a significant and complex problem in urban areas worldwide with ...
Marko Raič, Daniela Angelina Jelinčić
doaj +1 more source
If graffiti changed anything, it would be illegal. The influence of political graffiti on the perception of neighborhoods and intergroup attitudes. [PDF]
Pollmanns C, Asbrock F.
europepmc +1 more source

