Results 81 to 90 of about 4,002 (204)
GRAFFITI AS PROTEST ART IN STREET WORKS: A CULTURAL STUDIES THEORY ANALYSIS
Graffiti as street art has long been an effective medium of social expression to voice dissatisfaction with social, political, and economic conditions. In the Indonesian context, graffiti developed as a means of protest art that reflects the collective ...
Muhammad Budi Harjono +2 more
doaj +1 more source
Abstract This article discusses the concept of the Judeo‐Islamic God as a substantive and defensible alternative to the problematic concept of the “Judeo‐Christian God” in popular, political, and academic Western discourses. It argues that the transcendent monotheistic deity of Islam, Allāh, is a direct continuation of the composite deity of Rabbinic ...
Jeffry R. Halverson
wiley +1 more source
ABSTRACT This article contributes to nationalism studies by demonstrating how states use failure as a governance tool to regulate national belonging and by showing how people experience and reinterpret failure in ways that unsettle dominant national imaginaries.
Lena Hercberga, Alina Jašina‐Schäfer
wiley +1 more source
Graffiti on two buildings of different status, a prison in Montélimar and a town hall in Châtillon-en-Diois, are studied and compared. Most of the graffiti was produced during the 19th and 20th centuries.
Philippe Hameau
doaj +1 more source
ABSTRACT ‘Bottom‐up nationalism’—the belief that the nation is of the people, by the people and for the people—can serve as a powerful collective action frame for mass mobilization. We study the evolution of Tunisian dinar banknote iconography as an indicator of the institutionalization of bottom‐up nationalism before and after the Jasmine Revolution ...
Jacques E. C. Hymans, Chloe Bernadaux
wiley +1 more source
Oscillating Whiteness: A Conceptual Framework for Analysing Transnational Ethno‐Racial Privilege
ABSTRACT This article advances oscillating whiteness as a conceptual framework for analysing ethno‐racial privilege across geopolitical settings. The framework theorizes whiteness as a dynamic resource governed by four mechanisms: recognition (how bodies are classified as white), performativity (how whiteness is enacted through cultural scripts ...
Reza Hasmath
wiley +1 more source
A portrait unseen: Neil Bartlett's queer theatrical adaptation of Wilde's Dorian Gray
Abstract Neil Bartlett's 2012 theatrical adaptation of The Picture of Dorian Gray presents a provocative reimagining of Wilde's novel, emphasizing its homoerotic and aesthetic dimensions while engaging with the historical and cultural anxieties surrounding queerness.
Younes Poorghorban
wiley +1 more source
Graffiti is often seen as a way for young people to find their identities, or to merely show their existence. Because their actions are seen as destructive, they are also often confronted by the city's patrol units and even by the police.
Obed Bima Wicandra
doaj
Different forms of cross-linguistic interactions in learners’ graffiti in Zimbabwe have not received attention in empirical multilingualism research.
Piason Makarati, Kufakunesu Zano
doaj +1 more source

