Results 311 to 320 of about 343,116 (364)
IEEE Transactions on Professional Communication, 1983 If you are searching for a single book that contains encyclopedic coverage of practically every aspect of the graphics industry, this is the book. Regardless of your level of expertise, you'll find the information you need at an appropriate level of presentation.
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The Quality of Graphic Art Paper. The Influence of Paper Permanence and Durability on Graphic Art [PDF]
Restaurator, 2003 Sept echantillons de papier destines aux arts graphiques, dont trois de fabrication contemporaine et quatre de production ancienne, ont fait l'objet d'une etude concernant la stabilite de leurs proprietes chimiques, optiques et, dans la mesure du possible egalement, mecaniques lors du vieillissement artificiel.
Marjeta Černič Letnar, Tadeja Muck
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College Art Journal, 1954
To-day there is abroad in the land a genuine enthusiasm both among artists and collectors for graphic art. The number of entries submitted to the large annual exhibitions run well into the thousands. These exhibitions are held in the Brooklyn Museum, the Print Club of Philadelphia, the Library of Congress and the Dallas Print Society.
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To-day there is abroad in the land a genuine enthusiasm both among artists and collectors for graphic art. The number of entries submitted to the large annual exhibitions run well into the thousands. These exhibitions are held in the Brooklyn Museum, the Print Club of Philadelphia, the Library of Congress and the Dallas Print Society.
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Computer graphics: The state of the art
Journal of Audiovisual Media in Medicine, 1985Because computer technology is accelerating so fast it is difficult for the average user to keep up-to-date with the latest equipment and its intended uses. This creates an even greater diversity when one is wishing to purchase such equipment.This paper is concerned with just one aspect, Computer Graphics.
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Journal of Russian & East European Psychology, 2013
Vygotsky's preface to A. Bykhovskii,'s book Graphika is among the prefaces he wrote in various domains of art during his career before entered psychology. He offers readers the key (taken from Hans Christiansen) to looking at and understanding the special character of Bykhovskii's creativity.
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Vygotsky's preface to A. Bykhovskii,'s book Graphika is among the prefaces he wrote in various domains of art during his career before entered psychology. He offers readers the key (taken from Hans Christiansen) to looking at and understanding the special character of Bykhovskii's creativity.
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A testbed for auralization of graphic art
Annual Technical Conference IEEE Region 5, 2003, 2003Sonification is the use of non-speech audio to convey information and auralization, a similar but distinct area, is an aural metaphor for visualization - the process by which objects and scenes are interpreted by the human visual system. A fundamental goal of this study is to produce a mechanism by which the visually impaired can experience the ...
N. Hrustemovic, N. Osmanovic, H.R. Myler
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The Graphic Art of the Underground
2014The Graphic Art of the Underground: A Countercultural History takes the reader on a dazzling journey through the visual art and design of alternative and youth cultures from the 1950s to the present day. Ian Lowey and Suzy Prince’s compelling account draws upon the work of an array of artistic figures - many of whose lives have proved as ...
Ian Lowey, Suzy Prince
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Stalinism and the Graphic Arts
1998If Stalinism was a ‘total work of art’,1 it was also a system of rule that extended to every field of cultural endeavour. It was still possible, as late as 1930, for the philosopher Losev to refer to Marxism-Leninism as a ‘lamentable absurdity’.2 University philosophers could adopt a variety of views until at least the early 1920s, and in the natural ...
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2018
Review of Mexican Graphic Art, Reviewed March 2018 by Dan Lipcan, Associate Museum Librarian, Thomas J. Watson Library, The Metropolitan Museum of Art, dan.lipcan@metmuseum.org.
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Review of Mexican Graphic Art, Reviewed March 2018 by Dan Lipcan, Associate Museum Librarian, Thomas J. Watson Library, The Metropolitan Museum of Art, dan.lipcan@metmuseum.org.
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Graphical User Interface in Art
2009This essay discusses the use of the Graphical User Interface (GUI) as a site of creative practice. By creatively repositioning the GUI as a work of art it is possible to challenge our understanding and expectations of the conventional computer interface wherein the icons and navigational architecture of the GUI no longer function as a technological ...
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