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Stalinism and the Graphic Arts
1998If Stalinism was a ‘total work of art’,1 it was also a system of rule that extended to every field of cultural endeavour. It was still possible, as late as 1930, for the philosopher Losev to refer to Marxism-Leninism as a ‘lamentable absurdity’.2 University philosophers could adopt a variety of views until at least the early 1920s, and in the natural ...
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Graphical User Interface in Art
2009This essay discusses the use of the Graphical User Interface (GUI) as a site of creative practice. By creatively repositioning the GUI as a work of art it is possible to challenge our understanding and expectations of the conventional computer interface wherein the icons and navigational architecture of the GUI no longer function as a technological ...
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Image Processing in the Graphic Arts
1986One of the most productive applications of electrical engineering and computer science in the last twenty years has been in the preparation of information, i.e., text, pictures, and line drawings, destined for reproduction on paper. In this chapter, after a brief review of typography and printing technology, we present a discussion of traditional and ...
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The art of computer graphics—Computer graphics in art
Computers & Graphics, 1983openaire +2 more sources
Colour management for the graphic arts
1998Imagine yourself in a crowd where everybody speaks a different language and there are words in each language which are untranslatable. Now try to communicate. What you need is a dictionary, or even better — an interpreter. Substitute colours for words and colour imaging devices for languages and what you get is the current graphic arts environment. The
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Computer graphics for the arts, computer graphics for the arts, architecture and design
ACM SIGGRAPH Computer Graphics, 1987openaire +2 more sources