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CESifo Forum, 2015 Contents: 1. The Public Rescue Credit 2. Did the Money Help? 3. Who Benefited from the Rescue Credit? 4. Interest Rebates 5. Risks of Creditor Countries 6. Loss of Competitiveness and Four Options for Greece 7. Advantages and Disadvantages of a Grexit 8. The Exit Procedure 9.
Sinn, Hans-Werner
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Postdramatic Greek Tragedy [PDF]
Journal of Dramatic Theory and Criticism, 2010 Campbell, Peter A.
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Interpolation in Greek Tragedy, III
Greek, Roman, and Byzantine Studies, 2003 [site under construction]
Michael D. Reeve
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Překotný hlas, truchlivé čtení Nad esejem Nicole Lorauxové o řecké tragédii [PDF]
Svět Literatury, 2023 Nicole Loraux’s book The Mourning Voice: An Essay on Greek Tragedy focuses in its main part on the ways of expressing mourning in Greek tragedy, and understands mourning in tragedy as a borderline between (in)articulated words and music.
Jakub Čechvala
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Hegel's Reading of the Tragedy “Antigone” [PDF]
حکمت و فلسفه, 2020 Hegel believed the Antigone tragedy not only revealed the national spirit of ancient Greece but was indeed the greatest artwork of all time. displaying the “Logic of History”, was the critical role Antigone tragedy played in the phenomenology of spirit ...
Amir Maziar, Mohaddeseh Rabbaninia
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«Exodus» (Ἐξαγωγή) of Ezekiel the Tragedian: introductory article and translation [PDF]
Религия, церковь, общество, 2019 This is the first Russian verse translation of the fragments of the tragedy Exagoge, which was written by a certain Ezekiel in Hellenistic Alexandria and passed to us in citations by Eusebius of Caesaria (Praeparatio Evangelica).
Zoya Anatolyevna Barzakh
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Our confrontation with tragedy [PDF]
Journal of Philosophical Investigations, 2019 This article attempts to illustrate our confrontation with tragedy in contemporary situation, That is why we are discussing this here in seven issues (Feeding the Ancients with Our Own Blood/ Philosophy’s Tragedy and the Dangerous Perhaps/Knowing and Not
Simon Critchley
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MatLit, 2014 This paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos ...
Maria Joana Melo
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