Results 121 to 130 of about 145,161 (304)

Disciplining the “Queen of the World”? Responsible Innovation as a Way of Life

open access: yesBusiness Ethics, the Environment &Responsibility, EarlyView.
ABSTRACT This paper offers a critical reflection on the concept of responsible innovation as defined during the last decades. We argue that the emphasis on innovation as a process risks neglecting the very goals of innovation, namely societal desirability and acceptability. Thus, we suggest reconsidering the role of imagination, the “Queen of the world”
Xavier Pavie   +2 more
wiley   +1 more source

Acting Out: a preliminary exploration of the ethical implications of using ancient Greek Tragedy as a means of Psychotherapy

open access: yesMediterranean Journal of Clinical Psychology
This paper aims to explore the ethical issues which arise with the employment of the performance or viewing of drama as a therapeutic process for ‘mental illness’.
Patrick Guy Browne Johnson
doaj   +1 more source

Exploring medical terminology inexpediencies: Tripledemic vs. triple epidemic. [PDF]

open access: yesExp Ther Med, 2023
Mammas IN   +3 more
europepmc   +1 more source

The Cult of the Apollonian and the Dionysian in Ancient Greek Religion as Reflected in Edith Wharton’s Novels

open access: yesReligions
The two basic conflicting forces throughout Wharton’s tragic novels have a great affinity with the cult of the Apollonian and Dionysian in ancient Greek religion and in Nietzsche’s The Birth of Tragedy.
Hong Zeng
doaj   +1 more source

Interrupting tradition : now-time (Jeztzeit) in and out of the theatre [PDF]

open access: yes, 2015
‘Progress has its seat not in the continuity of elapsing time but in its interruptions—where the truly new makes itself felt for the first time’. Interruption, as articulated by Walter Benjamin in The Arcades Project, presupposes both the potential ...
White, Joel
core  

Split-vision: Secondary Action in Greek Tragedy

open access: yesGreek, Roman, and Byzantine Studies, 2006
Silent action on stage, even if not alluded to by the text, sometimes must be postulated to make sense of a scene; late plays of Euripides, especially Electra, offer examples.
William J. Slater
doaj  

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