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Lost Voices of Hagia Sophia: Medieval Byzantine Chant Sung in the Virtual Acoustics of Hagia Sophia. The Feast of the Exaltation of the Holy Cross in Constantinople [PDF]
, 2019 Abel, J. +6 more
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The church proclaims the death and resurrection of Christ [PDF]
, 2001 Horsch, Hartmut C.
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Review Of The Music Libel Against The Jews By R. HaCohen [PDF]
, 2013 Marissen, Michael
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Charlemagne's Archetype of Gregorian Chant
Journal of the American Musicological Society, 1987Argues that the "Gregorian" repertory of Mass propers was fully neumed under Charlemagne, a century sooner than is generally supposed. The chief witness is an "apocryphal" Offertory, Factus est repente for Pentecost. Affected are widely-held views concerning: (1) the origin of neumes; (2) the impact of oral-improvisational techniques on Gregorian chant;
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Gregorian Chant and Other Chant Repertories
1993Abstract In this chapter I shall attempt to summarize the relationship of Gregorian chant to other types of early chant in the West, so that Gregorian chant itself may be understood in a rather broader context than would otherwise be possible.
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