Results 51 to 60 of about 2,032 (173)

Women Suppliers to Medieval Courts: Making Visible Ducal and Royal Power

open access: yesGender &History, Volume 37, Issue 1, Page 33-49, March 2025.
Abstract This article analyses under‐studied women suppliers to medieval courts, with a focus on Burgundian and French courts of the fourteenth and fifteenth centuries. Through its archival research, it identifies over a hundred women involved in creating, supplying and repairing objects.
Katherine A. Wilson
wiley   +1 more source

Adverse events associated with benznidazole treatment for Chagas disease in children and adults

open access: yesBritish Journal of Clinical Pharmacology, Volume 90, Issue 12, Page 3334-3347, December 2024.
Aims Chagas disease (ChD) affects approximately 7 million people in Latin America, with benznidazole being the most commonly used treatment. Methods Data from a retrospective cohort study in Argentina, covering January 1980 to July 2019, was reanalysed to identify and characterize benznidazole‐related adverse drug reactions (ADRs).
Cintia Valeria Cruz   +8 more
wiley   +1 more source

Griselda Gambaro y el teatro de la crueldad artaudiano: un lugar crítico revisitado

open access: yesPhilologia Hispalensis, 2012
This paper reviews the most significant critical references that, since the 70’s, are referring to the possible influences or relations of resemblance be- tween Artaud’s Theater of Cruelty and Griselda Gambaro’s dramatic ideas in her neo-avantgarde ...
Ana Sánchez Acevedo
doaj   +1 more source

DISPLACEMENT, MEMORY, AND POSTMEMORY IN THREE NOVELS FROM BRAZIL, ARGENTINA, AND CHILE

open access: yesRevista Brasileira de Literatura Comparada, 2022
This essay examines issues of displacement, exile, and non-belonging, and their impact on a subject’s sense of identity, in three novels by South American women writers: Ana Maria Machado (Brazil), Griselda Gambaro (Argentina), and Alejandra Costamagna ...
Cristina Ferreira Pinto-Bailey
doaj  

Slapstick Classicism: Chaplin among the Sculptures

open access: yes
Critical Quarterly, Volume 67, Issue 4, Page 42-64, December 2025.
James Reath
wiley   +1 more source

Antígona furiosa de Griselda Gambaro : rite, mythe, Histoire

open access: yesCahiers d’Études Romanes, 2008
Le mythe d'Antigone a généré de multiples pièces de théâtre, à différentes époques et dans diverses aires culturelles. L’adaptation réalisée en 1986 par la dramaturge argentine Griselda Gambaro nous plonge dans une temporalité à la fois mythique et ...
Isabelle Clerc
doaj   +1 more source

El heroísmo en los tiempos actuales: Antígona furiosa de Griselda Gambaro y Usted está aquí de Bárbara Colio

open access: yesValenciana, 2016
Los mitos dicen tanto de la condición humana que se cuentan una y otra vez a lo largo de la historia. Sin embargo, no permanecen inamovibles; por el contrario, al ser recontados se introducen rasgos propios del contexto histórico en que emergen ...
Claudia Gidi
doaj   +1 more source

Psicoanálisis y teatro. "El desatino" de Griselda Gambaro

open access: yesTelondefondo : Revista de Teoría y Crítica Teatral, 2014
Utilizando algunos conceptos psicoanalíticos intentaré articular, explicar y precisar la relación entre madre e hijo en el marco de la obra El desatino de Griselda Gambaro y su relación con “el artefacto”.
Néstor Givré
doaj   +1 more source

Eco-feminismo en la narrativa surrealista de María Luisa Bombal Eco-feminism in Maria Luisa Bombal's Surrealist Narrative

open access: yesCuadernos del CILHA, 2010
Este trabajo presenta un análisis de tres cuentos de Maria Luisa Bombal: "El árbol", "Las islas nuevas" y "La historia de María Griselda" usando el concepto de écriture féminine de Hélène Cixous y el de eco-feminismo, según Ress y Warren.
Zoila Yovanna Clark
doaj  

Metáforas sobre el exilio en "Dios nos quiere contentos" de Griselda Gambarro. [PDF]

open access: yesOgigia, 2010
El presente artículo analiza la novela Dios no nos quiere contentos, de la escritora argentina Griselda Gambaro, desde la perspectiva de la literatura de exilio.
Ariadna Castellarnau
doaj  

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