Results 71 to 80 of about 122 (99)

Repetition (Antígona’s Version): Going Back in Griselda Gambaro’s Antígona furiosa

International Journal of the Classical Tradition
Charles Pletcher
exaly   +2 more sources

Griselda Gambaro and Beyond: A “Dermography” of Contemporary Women’s Theater and Performance

Cecilia Sosa
exaly   +3 more sources

La referencialidad especular del discurso en Griselda Gambaro

1995
exaly   +2 more sources

Theater and Terrorism: Griselda Gambaro's "Information for Foreigners"

Theatre Journal, 1990
Questions about the place of theater in a "well-run society," originally debated by Plato and Aristotle, take on a new meaning, as well as a special urgency, in criminal states in which theaters are bombed and spectacular acts of cruelty exceed the boundaries of the stage.
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Physical Imagery in the Works of Griselda Gámbaro

Modern Drama, 1975
ONE OF LATIN AMERICA'S more prominent dramatists is Griselda Gambaro of Argentina. Her reputation is well established in her own country and she has begun to gain recognition in the United States as her plays have become more readily available. Her dramatic world has been compared to the Theatre of the Absurd in general.
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Beyond words : the theatre of Griselda Gambaro

2009
Griselda Gambaro is one of Argentina's most well known playwrights, whose dramatic work has made an important contribution to Latin American theatre. While she was a controversial figure of Argentina's avant garde movement of thel960's, her dramatic work has since gained the respect of her contemporaries, the admiration of audiences and the interest of
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The Abstract Allegory of Griselda Gambaro's Stripped (El despojamiento)

Theatre Journal, 2004
In this one-act play, written as Argentina began to slide into a repressive dictatorship and produced just as the country was returning to democracy, Griselda Gambaro improvises on the allegorical genre so as to allow for multiple, simultaneous, interdependent perspectives on an enigmatic theatrical universe.
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Antigone in Argentina: Griselda Gambaro'sAntígona Furiosa

Text and Performance Quarterly, 1999
This article examines the ways in which Argentinean playwright Griselda Gambaro re‐shapes and re‐codes the Antigone myth to comment upon the political repression Argentina faced under military Juntas which ruled and terrorized the country from 1976–1983.
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In Defense of the Dead:Antígona furiosa,by Griselda Gambaro

Romance Quarterly, 2012
This study establishes parallels between the biological fratricide in Sophocles’ Antigone and the metaphorical fratricide in Griselda Gambaro's Antigona furiosa (Buenos Aires, 1986). The article examines how in both plays Antigone seeks to defend her dead brother in her quest for closure.
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El Erotismo Como Transgresión: "Lo Impenetrable" de Griselda Gambaro

Chasqui, 2001
...eroticism is able to act as a mirror to the world by reflecting its excesses, drawing out its violence and even conferring a "spiritual" quality on these phenomena by the very fact that it puts them at the service of the senses. (Gilles Deleuze) Al hacer referencia a las diversas problematicas del campo cultural argentino durante las decadas del ...
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