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Grotesque

2019
Defining “the grotesque” in a concise and objective manner is notoriously difficult. When researching the term for his classic study On the Grotesque: Strategies of Contradiction in Art and Literature (1982), Geoffrey Galt Harpham observed that the grotesque is hard to pin down because it is defined as being in opposition to something rather than ...
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Grotesques

2020
The portrayal of dysmorphologies, monsters, and other grotesques entered the horror category early, and the films were filled with exploitation, gruesomeness, and degeneracy. Physicians must be intrigued by the underlying nature of the major anomalies depicted on the screen.
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Grotesque Touch

2021
In this book, Amy K. King examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Analyzing films, television shows, novels, short stories, poems, book covers, and paintings, King shows how contemporary media reuse salacious and stereotypical depictions of relationships between women living ...
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Grotesque

2021
À partir de l’analyse de P’tit Quinquin (2014), de Ma Loute (2016) et de Coincoin et les Z’inhumains (2018) ce texte revient sur l’importance du grotesque et sa double tonalité comique et angoissante employée par Bruno Dumont. Présente dans son aspect sombre dans les films précédents de ce cinéaste, cette dimension permet à ce dernier d’expérimenter et
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Grotesque, modernité

Romantisme, 1991
Rosen Elisheva. Grotesque, modernité. In: Romantisme, 1991, n°74. Rire et rires. pp. 23-28.
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The Grotesque and the Modern Grotesque

1989
The source of the grotesque in art and literature is man’s capacity for finding a unique and powerful fascination in the monstrous. The psychic reasons for this proclivity are far from clear, but the proclivity itself has left its mark on a wide variety of cultures, from prehistory to the present, from the most primitive societies to the most ...
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Magnificently Grotesque

2018
Canadian Literature, No 235 (2017): Concepts of Vancouver: Poetics, Art ...
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Grotesque Relations

2008
Abstract In this book, Susan Edmunds explores he relationship between modernist domestic fiction and the rise of the U.S. welfare state. This relationship, which began in the Progressive era, emerged as maternalist reformers developed an inverted discourse of social housekeeping in order to call for state protection and regulation of the
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