Results 1 to 10 of about 78 (69)
La teoria dei punti di concorso nella scenografia di Guidobaldo del Monte
Diségno, 2018 La scenografia teatrale è una delle applicazioni privilegiate della prospettiva nel Rinascimento. Il teatro di corte, caratteristico di quegli anni, si struttura intorno a un impianto prospettico frontale sviluppato in profondità.
Leonardo Baglioni, Marta Salvatore
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Laboratoire Italien, 2014 La correspondance entre le mathématicien Guidobaldo dal Monte et Filippo Pigafetta concerne la traduction du Mechanicorum liber, un important traité de mécanique publié en 1577 par Guidobaldo. Conservés à la Bibliothèque Ambrosienne de Milan et en grande
Noémie Castagné, Martin Frank
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The theoretical origins of the pendulum in the work of Galileo [PDF]
Revista Brasileira de Ensino de FísicaPendulums are scientific instruments of great value to contemporary science. What is little known about them is that these instruments have a long history. There are records of the use of pendulums dating back at least to Antiquity.
Luan Santos Lemos
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Proceedings, 2017 This study focuses on an analysis of perceiving the infinite “solid images” derived from the projective transformations of space in a relief perspective, with particular reference to Renaissance theatre scenery.
Leonardo Baglioni, Marta Salvatore
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Guidobaldo del Monte's Mechanicorum Liber
, 2010 The book is the first volume of the series Sources of the Max Planck Research Library for the History and Development of Knowledge. It presents Guidobaldo del Monte's first book from 1577, the Mechanicorum liber, which is reprinted here in a facsimile edition.
Jürgen Renn, Peter Damerow
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O paradoxo cinemático de Galileu
Revista Brasileira de Ensino de FísicaDescrevemos um aparato de baixo custo e apresentamos um vídeo curto que podem ser utilizados pelo professor em sala de aula para demonstrar e ilustrar um paradoxo cinemático aparente descrito por Galileu Galilei em uma carta para Guidobaldo del Monte e ...
M.F.B. Francisquini +2 more
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The Points of Concurrence Theory in Guidobaldo del Monte’s Scenography
Diségno, 2018 Theatrical scenography was one of the privileged applications of perspective in the Renaissance. The court theater, characteristic of those years, is structured around a frontal perspective installation developed in depth.
Leonardo Baglioni, Marta Salvatore
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Guidobaldo Del Monte’s Controversy with Giovan BattistaBenedetti on Positional Heaviness
, 2013 3.1 Introduction3.2 The Incipit of Benedetti’s De mechanicis3.3 Del Monte’s Rebuttal of the Negligibility of the World’s Center3.4 Benedetti’s Generalization: From Weights to Forces3.5 Del Monte’s Misunderstanding3.6 On Tartaglia: Diverging Approaches3.7 Conclusions: The Triangulation Benedetti-del Monte-Galileo3.8 Appendix 1: Benedetti’s De Mechanicis,
OMODEO, Pietro Daniel, Renn, Jürgen
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Guidobaldo del Monte (1545–1607)
, 2013 Introduction: Searching for Order in Theory and Practice1 “Argumentandi modus huius scientiae maxime proprius.” Guidobaldo’s Mechanics and the Question of Mathematical Principles2 Guidobaldo del Monte and Renaissance Mechanics3 Guidobaldo Del Monte’s Controversy with Giovan BattistaBenedetti on Positional Heaviness4 Guidobaldo del Monte: Galileo’s ...
Antonio Becchi (ed.) +2 more
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, 2012 1 Introduction2 The Authors and their Critic3 The Context4 Jordanus' Treatise De ponderibus Edited by Petrus Apianus5 Guidobaldo's Marginal Notes in Jordanus' Book6 The Treatise De Mechanicis in Benedetti's Book7 Guidobaldo's Marginal Notes in Benedetti's Book8 Conclusion9 Timeline10 Online sources11 Appendix: Analyses of iron gall inks by means of X ...
Jürgen Renn, Peter Damerow
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