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La correspondance entre le mathématicien Guidobaldo dal Monte et Filippo Pigafetta concerne la traduction du Mechanicorum liber, un important traité de mécanique publié en 1577 par Guidobaldo. Conservés à la Bibliothèque Ambrosienne de Milan et en grande
Noémie Castagné, Martin Frank
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La teoria dei punti di concorso nella scenografia di Guidobaldo del Monte
La scenografia teatrale è una delle applicazioni privilegiate della prospettiva nel Rinascimento. Il teatro di corte, caratteristico di quegli anni, si struttura intorno a un impianto prospettico frontale sviluppato in profondità.
Leonardo Baglioni, Marta Salvatore
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The theoretical origins of the pendulum in the work of Galileo [PDF]
Pendulums are scientific instruments of great value to contemporary science. What is little known about them is that these instruments have a long history. There are records of the use of pendulums dating back at least to Antiquity.
Luan Santos Lemos
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This study focuses on an analysis of perceiving the infinite “solid images” derived from the projective transformations of space in a relief perspective, with particular reference to Renaissance theatre scenery.
Leonardo Baglioni, Marta Salvatore
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O paradoxo cinemático de Galileu
Descrevemos um aparato de baixo custo e apresentamos um vídeo curto que podem ser utilizados pelo professor em sala de aula para demonstrar e ilustrar um paradoxo cinemático aparente descrito por Galileu Galilei em uma carta para Guidobaldo del Monte e ...
M.F.B. Francisquini +2 more
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The Points of Concurrence Theory in Guidobaldo del Monte’s Scenography
Theatrical scenography was one of the privileged applications of perspective in the Renaissance. The court theater, characteristic of those years, is structured around a frontal perspective installation developed in depth.
Leonardo Baglioni, Marta Salvatore
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