Results 31 to 40 of about 33,678 (235)

A comparative analysis of two guitar transcriptions of Isaac Albéniz's Granada [PDF]

open access: yes, 2011
Includes bibliographical references (leaves 131-135).The solo piano works of Isaac Albéniz have been extensively transcribed and performed by many guitarists. Granada, the first movement from his Suite Española for piano is a favourite amongst guitarists
Rontsch, Marc
core  

21st Century Guitar – Evolutions and Augmentations [PDF]

open access: yes, 2023
In the 21st century, the guitar, as both a material object and tool for artistic expression, continues to be reimagined and reinvented. From simple adaptations or modifications made by performers themselves to custom-made instruments commissioned to ...
McGrath, John, Perks, Richard
core   +1 more source

Multimodal Guitar : A Toolbox For Augmented Guitar Performances

open access: yes, 2010
This project aims at studying how recent interactive and interactions technologies would help extend how we play theguitar, thus defining the "multimodal guitar". Our contributions target three main axes: audio analysis, gestural control and audio synthesis.
Loïc Reboursière   +5 more
openaire   +2 more sources

Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue [PDF]

open access: yes, 2009
Includes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers.
Kinsey, Avril
core  

Area‐restricted search under realistic constraints

open access: yesOikos, EarlyView.
Abstract Area‐restricted search (ARS) is one of the most influential and widely used concepts in foraging theory, capturing a simple rule by which animals intensify local search following a resource encounter. Because ARS performs well in many spatially structured environments, it serves as a basic model for interpreting movement patterns across taxa ...
Inon Scharf, Arik Dorfman
wiley   +1 more source

Guitar Ensembles [PDF]

open access: yes, 2017
The USU Guitar Ensembles perform a concert featuring Acoustic Ensembles, Electric Ensemble 2, and Electric Guitar Ensemble 1.https://digitalcommons.usu.edu/music_programs/1038/thumbnail ...
Acoustic Ensemble   +5 more
core   +1 more source

Blind extraction of guitar effects through blind system inversion and neural guitar effect modeling

open access: yesEURASIP Journal on Audio, Speech, and Music Processing
Audio effects are an ubiquitous tool in music production due to the interesting ways in which they can shape the sound of music. Guitar effects, the subset of all audio effects focusing on guitar signals, are commonly used in popular music to shape the ...
Reemt Hinrichs   +3 more
doaj   +1 more source

Effects of Perioperative Music Interventions on Emotional Outcomes in Children and Adolescents: A Systematic Review and Meta‐Analysis Integrating Developmental Psychology and Music Education Perspectives

open access: yesPediatric Anesthesia, EarlyView.
ABSTRACT Objective To evaluate the effects of perioperative music interventions on emotional outcomes (preoperative anxiety, postoperative fear, emergence delirium) and related physiological parameters in children and adolescents undergoing surgery, and to examine potential effect modifiers.
Yuchen Wen   +4 more
wiley   +1 more source

A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling [PDF]

open access: yes, 2013
This paper was presented at the 9th Sound and Music Computing Conference, Copenhagen, Denmark.This paper presents a hybrid interface based on a touch- sensing keyboard which gives detailed expressive control over a physically-modeled guitar.
HEINRICHS, C   +2 more
core  

Modal Parameters of Two Violins with Different Varnish Layers and Subjective Evaluation of Their Sound Quality

open access: yesArchives of Acoustics, 2013
Two violins were investigated. The only intentionally introduced difference between them was the type of varnish. One of the instruments was covered with a spirit varnish, the other was oil varnished.
Ewa B. SKRODZKA   +2 more
doaj  

Home - About - Disclaimer - Privacy