Results 1 to 10 of about 921 (257)
HADRIAN AND THE LIMITS TO POWER
Roman emperors were influenced by precedent and by the expectations of various groups in the Roman Empire that followed from precedent. Yet, imperial decisions by individual emperors influenced groups of Romans and changed their expectations for later ...
Olivier Hekster
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‘ANIMULA VAGULA BLANDULA’… CESARZ HADRIAN I JEGO DUSZYCZKA-WĘDROWNICZKA
Artykuł zawiera przegląd przekładów i komentarzy do znanego wiersza cesarza Hadriana Animula vagula blandula, jakie znajdują się w literaturze opublikowanej w języku polskim (A. Birley, A. Krawczuk, K. Morawski, J. German, Z. Kubiak, G. Morcinek). Są to
Marek Kuryłowicz
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Abstract This essay reviews ways in which the emperor Hadrian has been portrayed in works of history, biography, and fiction. It is a historiographical study that implicitly raises questions about how the life and personality of a particular historical figure might be recovered and understood.
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UNPUBLISHED MARBLE HEAD OF SERAPIS KEPT IN THE GRAND EGYPTIAN MUSEUM [PDF]
This paper deals with a marble head of Serapis, kept in the Grand Egyptian Museum (Gem.34206). The head was found in Diospolis Magna (modern Luxor); its height is about 46cm, while the width is 32cm. The head is well-preserved.
Khaled Mohammed
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The paper focuses on the Upper Moesian municipium Aelianum, whose existence and location have been long debated. Relatively recently, a new epigraphic attestation of the municipium has been discovered and published, which calls for a ...
Nikolić Dragana
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Sous le masque du masculin ? Approche poétique du roman Mémoires d’Hadrien de Marguerite Yourcenar [PDF]
Marguerite Yourcenar could have said “Hadrian, it’s me” like Flaubert whose conception of impersonal narrator she shares, but she didn’t say it! She leaves behind her Me and all the emotions, feelings, life experiences which Me represents by replacing it
Crina-Magdalena Zărnescu
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Sobre un busto de los almacenes del Museo del Prado. ¿Original adrianeo o creación renacentista? [PDF]
The bust E-143 of the Prado Museum has been classified as a Renaissance work, without definitive arguments to support this hypothesis. The nerve of its back ensures its Roman origin, as no similar nerves have been documented in modern works.
DAVID OJEDA
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A Woman Portrait Bust from Central Çallıca Village (Cormasa)
The portrait bust, which is well-preserved in garden of the Burdur Museum, was acquired by the museum in 1987. The artefact, which was purchased from a citizen, was found in the central village of Çallıca in Burdur.
Yaşar Arlı
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The symbol of the crescent Moon with a star on Ancient and Medieval coins [PDF]
The individual phases of the moon show us this nocturnal satellite subjected to the laws of a cycle of dying and rising. In ancient times different peoples honoured the moon and the stars and felt connected to them in some way.
Štekar A.
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Hadrian, a Numismatic Lapse, and… Janus
The image of the “founder”, who marks the boundaries of the city with a plough drawn by a pair of animals was one of the obvious themes placed on the reverses of colonial coins. Such a symbolic foundation scene (aratrum motif) was also one of the leading
Agata A. Kluczek
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