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Post-Traumatic Single-Digit Onychomycosis [PDF]
Onychomycoses are a group of fungal nail infections commonly classified either according to the pathogenic fungus, to the duration of the disease or to the mode of fungal invasion.
Eckart Haneke, Ganna Stovbyr
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Onychomycosis in Foot and Toe Malformations [PDF]
Introduction: It has long been accepted that trauma is one of the most important and frequent predisposing factors for onychomycoses. However, the role of direct trauma in the pathogenesis of fungal nail infections has only recently been elucidated in a ...
Eckart Haneke
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Nail Lichen Planus in a Patient with Cogan Syndrome: Report of a Case and Discussion [PDF]
Cogan syndrome and lichen planus represent two autoimmune disorders. Cogan syndrome is a very rare type of ANCA-negative vasculitis affecting the eyes and vestibulocochlear system.
Carine Houriet, Eckart Haneke
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Death Images in Michael Haneke’s Films
Although meditating on death has long been a central philosophical practice and is gaining prominence in modern European public discourse, certain misconceptions still persist. The Austrian filmmaker Michael Haneke does not shy away from confronting real
Susana Viegas
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More about Zlotnikov, the Man Who Explained Blaschko’s Lines to be a Mosaic [PDF]
Rudolf Happle, Eckart Haneke
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La cinta blanca (Michael Haneke)
Reseña.
Jesús Miguel Sáez-González
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Pterygium in bullous pemphigoid: An unusual complication [PDF]
Eckart Haneke, MD, PhD +1 more
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Tuberous sclerosis complex (TSC) is an autosomal dominant hereditary disease with hamartomatous growths in multiple organs due to loss-of-function variants in TSC1 or TSC2. In approximately 15% of patients with clinical TSC, no pathogenic variant can be
Eckart Haneke Eckart Haneke
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« Caché » de Haneke : un récit d'anamnèse à double tranchant
Les ratonnades du 17 octobre 1961 à Paris forment une page noire dans l’Histoire récente de la France. Le cinéaste autrichien Michael Haneke n’est pas le premier a avoir choisi cet épisode de répression violente pour thème d’une œuvre de fiction.
Désirée Schyns
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Perspectival truth: Michael Haneke’s «The castle» and the fragmentation of the real
Haneke’s 1997 adaptation of Franz Kafka’s Das Schloß (The Castle) is thus far his last work for television[1]. Although «the Austrian film almanac lists» it «as a feature film» and it «was released in Austrian cinemas before its television première ...
Claudio Rozzoni
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