Results 91 to 100 of about 886 (131)
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Revue d'Égyptologie, 2002
Le temple de Dendera contient la représentation de nombreuses statues de la déesse Hathor. Certaines statues tiennent le sceptre-ouas en main alors qu'on s'attend au sceptre-ouadj, propre aux déesse. Le sceptre-ouas, souvent combiné avec la couronne-hepty, se rencontre couramment dans les offrandes de Maât. Les épithètes telles que nbt (r) dr qu'Hathor
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Le temple de Dendera contient la représentation de nombreuses statues de la déesse Hathor. Certaines statues tiennent le sceptre-ouas en main alors qu'on s'attend au sceptre-ouadj, propre aux déesse. Le sceptre-ouas, souvent combiné avec la couronne-hepty, se rencontre couramment dans les offrandes de Maât. Les épithètes telles que nbt (r) dr qu'Hathor
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The Theology of Hathor of Dendera
2016The Ptolemaic period witnessed an enormous increase in the number of hieroglyphic signs and iconographic elements (composite crowns, scepters, and cult objects). The ancient scribes exploited this complexity when composing the reliefs used in temple decoration, selecting particular words, hieroglyphic signs, and iconographic elements in order to create
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Kneeling statue of Tjairy and Hathor
2016**Tjairy was the director of the royal harem in Memphis. Here he is depicted kneeling behind a chapel bearing the emblem of the goddess Hathor.** Limestone, Saqqara (Egypt), 20th Dynasty (c. 1190-1160 BC) -- 3D Reconstruction provided by [Thomas Flynn] (https://sketchfab.com/nebulousflynn).
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Revue d'Egyptologie, 2006
D’après les textes du temple de Dendera, Hathor est non seulement la fille de Rê mais également la fille de Noun et celle d’Irta. Cette conception généalogique est à placer dans un contexte bien précis qui évoque la fertilité du pays et la production alimentaire.
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D’après les textes du temple de Dendera, Hathor est non seulement la fille de Rê mais également la fille de Noun et celle d’Irta. Cette conception généalogique est à placer dans un contexte bien précis qui évoque la fertilité du pays et la production alimentaire.
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Osiris, Hathor, the Gendered Dead
2006Abstract One type of identity which was quite clearly expressed in funerary art was the sex of the deceased, based on the binary pairing of male and female. By the start of the Roman Period, the custom of describing and depicting women in a different way from men in a mortuary context had been more or less fixed for at least two ...
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2017
This paper presents a new concept for the cruise ship, which has been developed from our thesis work. A typical cruise ship docked at port does not interact with the city, but remains a guest in transit. Why not then take on the challenge of designing a functional entity that transports events, culture and entertainment?
PIARDI, SILVIA ELVIRA MARIA +4 more
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This paper presents a new concept for the cruise ship, which has been developed from our thesis work. A typical cruise ship docked at port does not interact with the city, but remains a guest in transit. Why not then take on the challenge of designing a functional entity that transports events, culture and entertainment?
PIARDI, SILVIA ELVIRA MARIA +4 more
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Journal of the American Oriental Society, 1998
Edward Bleiberg, Geraldine Pinch
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Edward Bleiberg, Geraldine Pinch
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