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Published as part of Gadallah, Neveen S. & Abu El-Ghiet, Usama M., 2024, Sphecidae sensu lato (Hymenoptera: Apoidea) of the Jazan Province, south-west of Saudi Arabia, with the description of two new species, pp.
Gadallah, Neveen S. +1 more
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Gadallah, Neveen S. +1 more
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Hypersonic foldable Aeroshell for THermal protection using ORigami (HATHOR): aerothermal analysis
AIAA SCITECH 2022 Forum, 2022Michela Gramola, P. Bruce, M. Santer
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Revue d'Egyptologie, 2006
D’après les textes du temple de Dendera, Hathor est non seulement la fille de Rê mais également la fille de Noun et celle d’Irta. Cette conception généalogique est à placer dans un contexte bien précis qui évoque la fertilité du pays et la production alimentaire.
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D’après les textes du temple de Dendera, Hathor est non seulement la fille de Rê mais également la fille de Noun et celle d’Irta. Cette conception généalogique est à placer dans un contexte bien précis qui évoque la fertilité du pays et la production alimentaire.
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2018
Published as part of Dollfuss, Hermann, 2021, The Sphecid Wasps of the genus Cerceris LATREILLE, 1802 of the " Biologiezentrum Linz " - Collection in Linz, Austria, from the Palearctic Region (part III). (Hymenoptera, Apoidea, Crabronidae), pp.
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Published as part of Dollfuss, Hermann, 2021, The Sphecid Wasps of the genus Cerceris LATREILLE, 1802 of the " Biologiezentrum Linz " - Collection in Linz, Austria, from the Palearctic Region (part III). (Hymenoptera, Apoidea, Crabronidae), pp.
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Osiris, Hathor, the Gendered Dead
2006Abstract One type of identity which was quite clearly expressed in funerary art was the sex of the deceased, based on the binary pairing of male and female. By the start of the Roman Period, the custom of describing and depicting women in a different way from men in a mortuary context had been more or less fixed for at least two ...
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The Theology of Hathor of Dendera: Aural and Visual Scribal Techniques in the Per-Wer Sanctuary
, 2016Barbara Richter
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The Theology of Hathor of Dendera
2016The Ptolemaic period witnessed an enormous increase in the number of hieroglyphic signs and iconographic elements (composite crowns, scepters, and cult objects). The ancient scribes exploited this complexity when composing the reliefs used in temple decoration, selecting particular words, hieroglyphic signs, and iconographic elements in order to create
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