Results 21 to 30 of about 1,472 (211)
Queen Hatshepsut and the Opet Festival [PDF]
Minia Journal of Tourism and Hospitality Research MJTHR, 2021 The annual Opet Festival, during which the sacred barks of the triad of Thebes, Amun, Mut, and Khonsu, together with that of the ruling king journeyed from Karnak to Luxor, became a central religious celebration of Thebes as early as the 18th Dynasty ...
samar kamal, Samar kamal
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Lintel decoration types from the Temple of Hatshepsut at Deir el-Bahari and their meaning [PDF]
Polish Archaeology in the Mediterranean, 2021 Examination of the set of preserved gate lintels from the Temple of Hatshepsut in Deir el-Bahari has revealed two models of the iconographic decoration: one that emphasizes pictorial content in the form of scenes of a cultic or symbolic nature, with ...
Adrianna Madej
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The Author Takes a Bow: A Self-Portrait in Assistenza in the Temple of Hatshepsut at Deir el-Bahari
ArtsIn art-historical terms, a self-portrait in assistenza refers to an artist having inserted their own likeness into a larger work. In Renaissance-era art, more than 90 examples have been identified, famously including Botticelli’s Adoration of the Magi (c.
Anastasiia Stupko-Lubczynska
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Christian Secondary Epigraphy in the Temple of Hatshepsut. Some New Remarks
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021 Reusage was a common phenomenon in the ancient world. Throughout the history of Egypt, from the very early beginnings until modern times, tombs, temples, quarries or loose architectural elements were adapted for new purposes. The Temple of Hatshepsut in
Aleksandra Pawlikowska-Gwiazda
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New Dipinti in the Birth Portico of the Hatshepsut Temple at Deir el-Bahari [PDF]
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2018 The subject of the present paper are two hitherto unpublished hieratic dipinti from the Birth Portico of the Temple of Queen Hatshepsut at Deir el-Bahari.
Mirosław Barwik
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صورة ملکات مصر القديمة في الشعر الإنجليزي في القرن التاسع عشر "حتشبسوت وکليوباترا أنموذجًا" [PDF]
مجلة الزهراء, 2021 صورة ملکات مصر القديمة في الشعر الإنجليزي في القرن التاسع عشر "حتشبسوت وکليوباترا أنموذجًا" مؤمن أحمد محجوب قسم اللغة العربية، کلية الآداب، جامعة سوهاج، سوهاج، مصر. البريد الإلکتروني: moumen_dr@yahoo.com ملخص البحث:
مؤمن أحمد محجوب
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The iconography of co-rule at Deir el-Bahari: Hatshepsut andTuthmosis III in the Statue Room of the Main Sanctuary of Amun [PDF]
Polish Archaeology in the Mediterranean, 2016 Hatshepsut and Tuthmosis III were represented as seemingly equal kings on the sidewalls of the Second Room of the Main Sanctuary of Amun in the Temple of Hatshepsut in Deirel-Bahari.
Marta Sankiewicz
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Four seasons of documentation in the Main Sanctuary of Amun-Re in the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2016 Four seasons of documentation have supplied pertinent data to indicate that theMain Sanctuary of Amun-Re in the Temple of Hatshepsut in Deir el-Bahari was perceived froma theological perspective as a cult place for the local form of Foremost of +sr-Dsrw ...
Franciszek Pawlicki
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El Futuro del Pasado, 2013 En este trabajo analizaremos la transición de Hatshepsut (c. 1473 – 1458 a. C.), al convertirse de reina en el rey dual (nsw bjtj) egipcio. Para lograrlo, consideraremos la forma de pensamiento de los egipcios centrada en lo sagrado y expresada a partir ...
Virginia Laporta
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