Results 51 to 60 of about 205 (146)

Mujeres eternas. Enheduanna - Hatshepsut - Nefertiti - Cleopatra

Perspectivas, 1999
Con mucha frecuencia nos encontramos en nuestra practica profesional, conque algunos grandes personajes de la Antigüedad son tratados con una displicencia realmente escalofriante. Sin querer prestar mucha atención a las posibles implicaciones sexistas de
Rodrigo Quesada Monge
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Hatshepsut and the Apis Race: New Quartzite Relief Fragments from Dra’ Abu el-Naga

Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2018
The reconstruction of a scene sculpted on some quartzite stone fragments discovered recently at Dra’ Abu el-Naga and dating from the reign of Hatshepsut is the subject of this paper.
Hassan Aglan
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The solar altar in the Temple of Hatshepsut at Deir el-Bahari:architecture and ideology [PDF]

Polish Archaeology in the Mediterranean, 2016
In a recent article Teresa Dziedzic presented a theoretical reconstruction of the solar altarin the Temple of Hatshepsut at Deir el-Bahari, with two obelisks standing on the top of it.
Andrzej Ćwiek
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Ushebtis of the Third Intermediate Period from the Chapel of Hatshepsutin the Queen’s temple at Deir el-Bahari [PDF]

Polish Archaeology in the Mediterranean, 2016
A collection of 619 whole and fragmentary ushebti figurines dating from the ThirdIntermediate Period was recovered between 2004 and 2007 by the Polish team excavating in theChapel of Hatshepsut, an integral part of the Queen Pharaoh’s mortuary temple in ...
Agnieszka Makowska
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Christian Secondary Epigraphy in the Temple of Hatshepsut. Some New Remarks

Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021
Reusage was a common phenomenon in the ancient world. Throughout the history of Egypt, from the very early beginnings until modern times, tombs, temples, quarries or loose architectural elements were adapted for new purposes. The Temple of Hatshepsut in
Aleksandra Pawlikowska-Gwiazda
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Inscribed pot-stands represented in the Temple of Hatshepsut at Deir el-Bahari [PDF]

Polish Archaeology in the Mediterranean, 2018
On the lateral walls of the Bark Hall in the Main Sanctuary of Amun in the Temple of Hatshepsut, four stands for burning offerings are represented in front of Amun’s bark. Conservation work on the walls of this room uncovered the painted layer.
Anastasiia Stupko-Lubczyńska
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Theoretical reconstruction of the Solar Altar in the Hatshepsut Temple at Deir el-Bahari [PDF]

Polish Archaeology in the Mediterranean, 2017
In a recent article Andrzej Ćwiek (2015) criticized on ideological grounds one of the hypotheses concerning the reconstruction of the Solar Altar in the Complex of the Sun Cult of the Temple of Hatshepsut in Deir el-Bahari. The theoretical reconstruction
Teresa Dziedzic
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The Ritual of the Hours of the Night on the coffins of Heresenes and Nespaqashuty from Deir el-Bahari [PDF]

Polish Archaeology in the Mediterranean, 2018
The qrsw-coffins of Heresenes and the Priest of Montu Nespaqashuty were discovered within the Memorial Temple of Hatshepsut at Deir el-Bahari by Émile Baraize during the winter of 1932–1933.
Kenneth Griffin
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HISTORIA Y SUSTRATO CULTURAL: EL CORREINADO DE TUTMOSIS III Y HATSHEPSUT

DavarLogos, 2016
En este trabajo nos proponemos establecer paralelismos entre la antigua sociedad egipcia y las sociedades que habitan en la actualidad la región nilótica africana, como un modo de repensar una situación histórica como lo fue el correinado de Tutmosis ...
Virginia Laporta
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The Author Takes a Bow: A Self-Portrait in Assistenza in the Temple of Hatshepsut at Deir el-Bahari

Arts
In art-historical terms, a self-portrait in assistenza refers to an artist having inserted their own likeness into a larger work. In Renaissance-era art, more than 90 examples have been identified, famously including Botticelli’s Adoration of the Magi (c.
Anastasiia Stupko-Lubczynska
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