Archaeological investigations in the Temple of Hatshepsut at Deir el-Bahari in the 2020/2021 season [PDF]
Polish Archaeology in the Mediterranean, 2021 The paper presents the results of archaeological exploration in parts of the Hatshepsut Temple, carried out by the Polish–Egyptian team in the 2020/2021 season.
Patryk Chudzik
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Hatshepsut and the Apis Race: New Quartzite Relief Fragments from Dra’ Abu el-Naga
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2018 The reconstruction of a scene sculpted on some quartzite stone fragments discovered recently at Dra’ Abu el-Naga and dating from the reign of Hatshepsut is the subject of this paper.
Hassan Aglan
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The Author Takes a Bow: A Self-Portrait in Assistenza in the Temple of Hatshepsut at Deir el-Bahari
ArtsIn art-historical terms, a self-portrait in assistenza refers to an artist having inserted their own likeness into a larger work. In Renaissance-era art, more than 90 examples have been identified, famously including Botticelli’s Adoration of the Magi (c.
Anastasiia Stupko-Lubczynska
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Restoration Work in the Main Sanctuary of Amun of the Temple of Hatshepsut in Deir el-Bahari
Studies in Ancient Art and Civilization, 2019 The Sanctuary of Amun of the Temple of Hatshepsut in Deir el-Bahari was, starting from the early 18th century, gradually discovered, and has been analyzed by many researchers and scientists. In the late 19th century E.
Urszula Kraśniewska
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What an artist saw. Tracing the local iconographic tradition for the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2021 An unusual iconographic motif—a fringed piece of linen—depicted in the Chapel of Hatshepsut, part of the queen’s temple at Deir el-Bahari, is examined in this paper as an illustration of the interest, well attested in Hatshepsut’s reign, in past artistic
Anastasiia Stupko-Lubczynska
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Enigma of the niches in the eastern wall of the Royal Mortuary Cult Complex in the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2023 The paper offers an explanation of the misalignment of blocks and their decorations in two cultic niches in the vestibule of the Chapel of Hatshepsut in the Royal Mortuary Cult Complex.
Andrzej Kwaśnica
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Two Portraits of Senenmut in the Hatshepsut Temple at Deir el-Bahari
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021 Two graffiti of Senenmut from the Temple of Hatshepsut at Deir el-Bahari are presented in this paper: one located in the granite portal leading to the Upper Court of the temple, and another in the entrance to the Chapel of Thutmose I in the Royal ...
Mirosław Barwik
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Geological appraisal of the Theban cliff overhanging the Hatshepsut temple at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2021 Throughout its existence the Temple of Hatshepsut, as well as two other royal sanctuaries, the temples of Mentuhotep II and Thutmose III, located in the great bay of Deir el-Bahari, have been under constant threat of falling rocks from the overhanging ...
Patryk Chudzik +3 more
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The iconography of co-rule at Deir el-Bahari: Hatshepsut andTuthmosis III in the Statue Room of the Main Sanctuary of Amun [PDF]
Polish Archaeology in the Mediterranean, 2016 Hatshepsut and Tuthmosis III were represented as seemingly equal kings on the sidewalls of the Second Room of the Main Sanctuary of Amun in the Temple of Hatshepsut in Deirel-Bahari.
Marta Sankiewicz
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