Antonio Canova and the Whatever Body
Open Library of Humanities, 2017 This article looks at the persistence of classicizing art in postmodern imagery. Specifically, I posit the art of Antonio Canova as a precursor to contemporary fashion advertising, arguing against the notion that his oeuvre is wholly irrelevant to ...
Cora Hatshepsut Gilroy-Ware
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Tombs of the Third Intermediate Period on the Upper Terraceof the Temple of Hatshepsut [PDF]
Polish Archaeology in the Mediterranean, 2016 A newly discovered necropolis on the Upper Terrace of the Temple of Hatshepsut was inuse from the Twenty-second until the beginning of the Twenty-sixth Dynasty.
Zbigniew E. Szafrański
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Reliefs and sculptures of Hatshepsut and reconstruction of her real appearance
Studia Humanitatis, 2021 The article studies the appearance of Hatshepsut (1490-1468 BC), the female pharaoh of the XVIIIth dynasty. The authors consider famous images of the Queen in her mortuary temple in Deir El-Bahri finding out how accurately the preserved monuments could ...
Selezneva Vladislava Alekseevna +1 more
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A “ghost” fragment from the chapel of Tuthmosis I in the Royal MortuaryCult Complex of the Hatshepsut Temple [PDF]
Polish Archaeology in the Mediterranean, 2016 A peculiar drawing of a part of the decoration of the Royal Mortuary Cult Complex inthe Hatshepsut temple at Deir el-Bahari, as copied once by Johannes Dümichen, is the subject ofthis paper.
Mirosław Barwik
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Mineralogical characteristic of mortars from the Temple of Hatshepsutat Deir el-Bahari: preliminary report [PDF]
Polish Archaeology in the Mediterranean, 2016 The article presents the results of physico-chemical analyses of a few masonry mortarand whitewash samples taken in the mid-1990s from the Temple of Hatshepsut in Deir el-Bahari.The mineralogical characteristic of the samples contributes to the body of ...
Teresa Dziedzic +2 more
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Epigraphic notes on the aleph-sign (Gardiner G1) in the second half of the Eighteenth Dynasty [PDF]
Polish Archaeology in the Mediterranean, 2020 The paper proposes to consider the hieroglyphic writing of the aleph-sign (Gardiner G1) in royal monumental architecture as a dating criterion. A certain epigraphic feature of the sign appears to be particularly characteristic of the second half of the ...
Edyta Kopp
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The Southern Room of Amun in the Temple of Hatshepsut at Deir el-Bahari: epigraphic work between 2013 and 2016 [PDF]
Polish Archaeology in the Mediterranean, 2017 The Southern Room of Amun Project is one of the egyptological projects of the PCMA’s Polish–Egyptian Archaeological and Conservation Mission in the Temple of Hatshepsut at Deir el-Bahari.
Katarzyna Kapiec
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A record of the transport of stone blocks on ostrakon DeB/F.608 [PDF]
Polish Archaeology in the Mediterranean, 2019 Ostrakon DeB/F.608 was found in the area of the Temple of Tuthmosis III at Deir el-Bahari. There are good reasons, however, to link it to the building of the Temple of Queen Hatshepsut and more precisely to the transport of stone blocks by a crew of ...
Miroslaw Barwik
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Stamped bricks of Amenhotep I from Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 Stamped bricks with the names of the king Amenhotep I and his mother, queen Ahmes Nefertari, were found throughout Deir el-Bahari, including the Temple of Hatshepsut investigated by a mission from the Polish Centre of Mediterranean Archaeology University
Adrianna Madej
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Mammals in the iconography of the Temple of Hatshepsut: a project underway [PDF]
Polish Archaeology in the Mediterranean, 2017 The project “Mammals in the iconography of the Temple of Queen Hatshepsut”, initiated by the author in the 2011/2012 season, encompasses a detailed documentation of the animals depicted in various parts of Hatshepsut’s temple in Deir el-Bahari as a ...
Kamila Braulińska
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