Dipinti in the relieving chamber above the Bark Hall of the Hatshepsut Temple at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 The paper presents ancient dipinti, both hieroglyphic and hieratic, traced in the relieving chamber above the Bark Hall of the Hatshepsut temple in Deir el-Bahari.
Miroslaw Barwik
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Polish Archaeology in the Mediterranean, 2022 Around 1000 BCE, an earthquake brought down many temples in Western Thebes, thus putting an end to the cult centre at Deir el-Bahari which had been a key site for the celebration of the Beautiful Feast of the Valley all through the New Kingdom.
P. Chudzik
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Mineralogical characteristic of mortars from the Temple of Hatshepsutat Deir el-Bahari: preliminary report [PDF]
Polish Archaeology in the Mediterranean, 2016 The article presents the results of physico-chemical analyses of a few masonry mortarand whitewash samples taken in the mid-1990s from the Temple of Hatshepsut in Deir el-Bahari.The mineralogical characteristic of the samples contributes to the body of ...
Teresa Dziedzic +2 more
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"The western wall of Hatshepsut’s red chapel sanctuary at Karnak temples “Archaeological study”
المجلة العلمیة بکلیة الآداب, 2022 atshepsut's chapel is considered one of her most important H architectural works in the Karnak Temple, which was built from regular . blocks of quartz stone Queen Hatshepsut built her sacred chapel, often somewhere near the ilt it in the central area of ...
عبدالحليم بلال +3 more
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A “ghost” fragment from the chapel of Tuthmosis I in the Royal MortuaryCult Complex of the Hatshepsut Temple [PDF]
Polish Archaeology in the Mediterranean, 2016 A peculiar drawing of a part of the decoration of the Royal Mortuary Cult Complex inthe Hatshepsut temple at Deir el-Bahari, as copied once by Johannes Dümichen, is the subject ofthis paper.
Mirosław Barwik
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Antiquity, 2021 Ancient art is typically studied in terms of its aesthetic or historical value. This article presents an alternative approach, examining ancient Egyptian wall reliefs from a chaîne opératoire perspective.
Anastasiia Stupko-Lubczyńska
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New Dipinti in the Birth Portico of the Hatshepsut Temple at Deir el-Bahari
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2018 The subject of the present paper are two hitherto unpublished hieratic dipinti from the Birth Portico of the Temple of Queen Hatshepsut at Deir el-Bahari.
Mirosław Barwik
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The niches of the Vestibule of the Royal Mortuary Cult Complexof the Temple of Hatshepsut in Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2016 The article is about damages to the architecture and wall decoration of niches in theVestibule of Hatshepsut in the Royal Mortuary Cult Complex. Traces of ancient repairs may bediscerned in the distorted layers of limestone blocks and deformed relief ...
Mariusz Caban
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Epigraphic notes on the aleph-sign (Gardiner G1) in the second half of the Eighteenth Dynasty [PDF]
Polish Archaeology in the Mediterranean, 2020 The paper proposes to consider the hieroglyphic writing of the aleph-sign (Gardiner G1) in royal monumental architecture as a dating criterion. A certain epigraphic feature of the sign appears to be particularly characteristic of the second half of the ...
Edyta Kopp
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The Southern Room of Amun in the Temple of Hatshepsut at Deir el-Bahari: epigraphic work between 2013 and 2016 [PDF]
Polish Archaeology in the Mediterranean, 2017 The Southern Room of Amun Project is one of the egyptological projects of the PCMA’s Polish–Egyptian Archaeological and Conservation Mission in the Temple of Hatshepsut at Deir el-Bahari.
Katarzyna Kapiec
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