The Author Takes a Bow: A Self-Portrait in Assistenza in the Temple of Hatshepsut at Deir el-Bahari
ArtsIn art-historical terms, a self-portrait in assistenza refers to an artist having inserted their own likeness into a larger work. In Renaissance-era art, more than 90 examples have been identified, famously including Botticelli’s Adoration of the Magi (c.
Anastasiia Stupko-Lubczynska
doaj +2 more sources
Christian Secondary Epigraphy in the Temple of Hatshepsut. Some New Remarks
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021 Reusage was a common phenomenon in the ancient world. Throughout the history of Egypt, from the very early beginnings until modern times, tombs, temples, quarries or loose architectural elements were adapted for new purposes. The Temple of Hatshepsut in
Aleksandra Pawlikowska-Gwiazda
doaj +2 more sources
Two Portraits of Senenmut in the Hatshepsut Temple at Deir el-Bahari
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021 Two graffiti of Senenmut from the Temple of Hatshepsut at Deir el-Bahari are presented in this paper: one located in the granite portal leading to the Upper Court of the temple, and another in the entrance to the Chapel of Thutmose I in the Royal ...
Mirosław Barwik
doaj +1 more source
صورة ملکات مصر القديمة في الشعر الإنجليزي في القرن التاسع عشر "حتشبسوت وکليوباترا أنموذجًا" [PDF]
مجلة الزهراء, 2021 صورة ملکات مصر القديمة في الشعر الإنجليزي في القرن التاسع عشر "حتشبسوت وکليوباترا أنموذجًا" مؤمن أحمد محجوب قسم اللغة العربية، کلية الآداب، جامعة سوهاج، سوهاج، مصر. البريد الإلکتروني: moumen_dr@yahoo.com ملخص البحث:
مؤمن أحمد محجوب
doaj +1 more source
The iconography of co-rule at Deir el-Bahari: Hatshepsut andTuthmosis III in the Statue Room of the Main Sanctuary of Amun [PDF]
Polish Archaeology in the Mediterranean, 2016 Hatshepsut and Tuthmosis III were represented as seemingly equal kings on the sidewalls of the Second Room of the Main Sanctuary of Amun in the Temple of Hatshepsut in Deirel-Bahari.
Marta Sankiewicz
doaj +1 more source
Four seasons of documentation in the Main Sanctuary of Amun-Re in the Temple of Hatshepsut at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2016 Four seasons of documentation have supplied pertinent data to indicate that theMain Sanctuary of Amun-Re in the Temple of Hatshepsut in Deir el-Bahari was perceived froma theological perspective as a cult place for the local form of Foremost of +sr-Dsrw ...
Franciszek Pawlicki
doaj +1 more source
El Futuro del Pasado, 2013 En este trabajo analizaremos la transición de Hatshepsut (c. 1473 – 1458 a. C.), al convertirse de reina en el rey dual (nsw bjtj) egipcio. Para lograrlo, consideraremos la forma de pensamiento de los egipcios centrada en lo sagrado y expresada a partir ...
Virginia Laporta
doaj +3 more sources
The West Wall of the Portico of Obelisks in Hatshepsut's Temple in 2018 and 2019: conservation and studies [PDF]
Polish Archaeology in the Mediterranean, 2019 The longest, west wall of the South Lower Portico (Portico of Obelisks) of the Temple of Hatshepsut at Deir el-Bahari has been reassessed in terms of its current state, compared to the original documentation by Edouard Naville, as an opening step to the ...
Ewa Józefowicz
doaj +1 more source
The gods bestow life. New material for the study of divine processions in the Vestibule of the Chapel of Hatshepsut in Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 The decoration of the Vestibule of the Chapel of Hatshepsut in the queen’s temple in Deir el-Bahari resembles the decoration of the square antechamber known from the pyramid temples of the Old and Middle Kingdoms.
Edyta Kopp
doaj +1 more source