Horizonte, 2018 O artigo apresenta e interpreta a gravura De smalle en de brede Weg (o caminho estreito e o caminho largo) de Hieronymus Wierix, criada no ano de 1619 na cidade de Antuérpia, já sob domínio espanhol.
Helmut Renders
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The genesis of Passion scenes on the Passion of Christ column in front of the Camaldolese monastery in Bielany and the popularity of engravings illustrating Evangelicae Historiae Imagines by Hieronymus Natalis [PDF]
Folia Historica Cracoviensia, 2005 In front of the Camaldolese monastery at Bielany stands a figure placed on a plinth of a pillar, which is crowned with a shrine made of black Dębnik marble. The sides of the plinth and that of the shrine are decorated with scenes showing Christ’s Passion.
Beata Frey-Stec
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Prints as sources. Ridolfo Sirigatti's marble Venus in an engraving after Stradanus. A print engraved by Hieronymus Wierix: "Amoris, en quanta vis", Venus by Ridolfo Sirigatti drawn by Johannes Stradanus (Antwerpen: Philips Galle, 1585/1590 circa)(FONTES 59) [PDF]
, 2011 FONTES 59 examines the potential of prints as source documents for the history and theory of art. When Julius Schlosser defined "kunsthistorische Quellenkunde" in terms of the literature of art, printed images were left behind, unless they happened to belong to printed books.
Davis, Charles
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A Gravura – O Caminho Estreito e o Caminho Largo, de Hieronymus Wierix, de 1600: Uma Análise Panofskiana de Uma Obra da Reforma Católica com Ecos Latino-Americanos [PDF]
Estudos de Religião, 2016 The article presents and interprets the engraving De smalle en de brede Weg (The narrow road and the broad way) by Hieronymus Wierix, created in 1600 in the city of Antwerp, in those days under Spanish rule.
Renders, Helmut
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Foul Biting, or Diego Valadés and the Medium of Print
Art History, Volume 46, Issue 5, Page 866-895, November 2023., 2023 Published in 1579 in Perugia, Diego Valadés's Rhetorica christiana is best known today as the first illustrated publication to show evangelisation efforts in the Americas to audiences across the Atlantic. Yet too often the Rhetorica's status in the history of art is that of exotica, a book seen as rare and valuable due to its American subject matter ...
Stephanie Porras
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Wacława Potockiego Rozbój duchowny. Komentowana edycja krytyczna
Meluzyna: dawna literatura i kultura, 2020 This paper presents the second critical edition of the poem “Rozbój duchowny” (“Spiritual warfare”) written by Polish poet from 17th century Wacław Potocki.
Natalia Czerniak
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Horizonte, 2016 A xilogravura “O caminho largo e o caminho estreito”, de Charlotte Reihlen, criada em 1862, é considerada um dos ícones da cultura visual evangélica que se tornou um fenômeno mundial.
Helmut Renders
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emblema Homo moriens de Hieronymus Wierix
Franciscanum, 2023 O artigo aqui apresentado faz parte de uma elaboração sistemática de estilos iconográficos e suas respectivas mensagens iconológicas da cultura visual cristã, com foco na arte religiosa devocional. A obra em questão é um interessante exemplo flamengo da linguagem visual católica em uso cem anos depois da reforma protestante e criada, provavelmente ...
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Christ in the wine press. On the American derivations of a medieval theme
Cuadernos de Arte de la Universidad de Granada, 2017 The meaning of the iconography called “Christ in the wine press” (Lagar) was enriched since its origins in the medieval European context until it crossed the Atlantic to be distributed in numerous museums and temples throughout all Latin America.
Adrián Contreras-Guerrero
doaj
, 2019 La elaboración del vino ha sido amada por las sociedades de la Antigüedad, especialmente la griega y romana, quienes estipularon las bases de su desarrollo y producción. De hecho, los conocimientos y procesos que estos dejaron asentados han permanecido prácticamente intactos hasta mediados del siglo XIXX, y han ejercido una poderosísima influencia ...
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