Results 11 to 20 of about 61,177,533 (179)
Histoire de l’art et anthropologie, 4.Modèle et copie. Autour de la notion de «modèle» en anthropologie, histoire et histoire de l’art [PDF]
Au moment (opportun) où les frontières s’effacent entre anthropologie et histoire de l’art , et inversement, où de grandes synthèses (Philippe Descola, 2005) s’efforcent de proposer une perspective d’ensemble pour l’approche des œuvres et des objets de l’
Eliana Magnani, Daniel Russo
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Las dos entrevistas de la presente serie plantean varios interrogantes sobre la enseñanza de la arquitectura en Colombia durante el último cuarto del siglo XX.
Andrés Ávila-Gómez
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Este artículo se propone presentar las redes transnacionales de solidaridad que permitieron la creación del Museo de la Solidaridad (1971-1973) durante la Unidad Popular y su desarrollo en el exilio a través del Museo Internacional de la Resistencia ...
Élodie Lebeau
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Re‐assessing regional chronologies for island southeast Asian voyaging to Aboriginal Australia
ABSTRACT According to written histories, trepang fishers from Island Southeast Asia (“Makassans”) frequented coastal northern Australia from c.1750 to 1907 CE. Yolŋu oral traditions and old Austronesian borrow words in coastal Aboriginal languages suggest a long and complex history of foreign voyaging to northern Australia.
Chris Urwin +4 more
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En histoire de l’art, l’énigme est le principal stimulateur de l’envie d’enquête, pour l’amateur comme pour le spécialiste. Ici, c’est au travers des périodes médiévale et contemporaine que le sujet s’illustre.
Dufrêne, Thierry +10 more
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Prussian Blue: Chemistry, Commerce, and Colour in Eighteenth‐Century Paris
This essay reconsiders the story of a pigment. Prussian blue, discovered at the beginning of the eighteenth century, is often described as a revolutionary colour that instantly transformed painters’ palettes and practices. Grounded in a ‘thick description’ of the pigment's history in Paris, this article challenges the legendary account of Prussian blue
Charlotte Guichard +2 more
wiley +1 more source
This paper aims to clarify the formation process of the concept of “form” from the 1920s to the 1930s by chronologically tracing the creation of Perriand's furniture. Abstract This paper aims to clarify the formation process of the concept of “form” from the 1920s to the 1930s by chronologically tracing the creation of Perriand's furniture. That is, by
Shoichiro Sendai
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ABSTRACT The essay examines the representation of relationships between children on the cusp of adulthood and their parents in dramas by Friedrich Maximilian Klinger, Heinrich Leopold Wagner and Friedrich Müller (known as ‘Maler Müller’). It positions the Sturm und Drang in dialogue with the wider European Enlightenment, and especially with Rousseau's ...
Elystan Griffiths
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L’inférence dans les romans judiciaires d’Émile Gaboriau
Résumé L’injection de l’heuristique dans le romanesque est loin d’être un recours littéraire nouveau. Un certain nombre de romanciers (tels Voltaire, Balzac, Bernanos, Robbe‐Grillet ou Butor) ne se sont pas privés d’y toucher. Ceci dit, ce sont notamment les écrivains attitrés du genre policier qui s’y sont spécialisés.
Daniela Ventura
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Sweet Femininities: Women and the Confectionery Trade in Eighteenth‐Century Barcelona
Abstract This article examines the intersections between sweetness, femininity and the confectionery trade in eighteenth‐century Barcelona, at a time of growing consumption of sugar and slavery. Drawing on a range of underexplored archival material, this study traces the stories of women of different social groups, namely, elite housewives, nuns and ...
Marta Manzanares Mileo
wiley +1 more source

