Results 181 to 190 of about 91,912 (295)
Mr. Gilbert's World Tour: Rethinking Disabled Veterans Across British Imperial Spaces. [PDF]
Robinson M.
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ABSTRACT The Russian Military Historical Society (RMHS) was founded in 2012 on President Vladimir Putin's orders. Since Russia's invasion of Ukraine in February 2022, the society's members have not only published propaganda to support the ‘special military operation’ but have discussed the need for a proper ‘state ideology’.
Kati Parppei
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The life and work of Isidor Fischer (1868-1943)-A pioneer of the social history of medicine. [PDF]
Hlade J.
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ABSTRACT Scholarship on nationalism and nation‐building in Kazakhstan has been dominated by a social constructivist approach that privileges the civic–ethnic dichotomy. Even when critiques of this binary have emerged, they have often substituted proxy categories that reproduce the same dualism.
Rico Isaacs
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Dancing Ambiguity: Nora and the Politics of Cultural Nationalisation in Southern Thailand
ABSTRACT This paper examines Nora, a traditional dance‐drama from southern Thailand, through its designation as UNESCO Intangible Cultural Heritage (2021) and the Thai government's recognition of its performers as National Artists (2018, 2021). It situates these actions within Thailand's cultural nationalisation.
Goeun Kim
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The Formosan Black Bear and Taiwanese Nationalism
ABSTRACT Building on scholarship that situates nations and nationalism within colonial relations, this article examines nationalism in settler‐colonial Taiwan amid China's colonial claim to sovereignty. Drawing on interviews, conservation documents and popular representations, we show how the Formosan black bear became a national symbol of resistance ...
Yung‐Ying Chang, John Chung‐En Liu
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Saving explorers and healing Amazonians: a history of the Tabloid medicine chest used in Hamilton Rice's 1919-1920 Amazon expedition. [PDF]
Limeira-daSilva VR.
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source

