Results 181 to 190 of about 91,912 (295)

The ‘State Patriotic Turn’: State Ideology and History According to the Russian Military Historical Society, 2022–2024

open access: yesNations and Nationalism, EarlyView.
ABSTRACT The Russian Military Historical Society (RMHS) was founded in 2012 on President Vladimir Putin's orders. Since Russia's invasion of Ukraine in February 2022, the society's members have not only published propaganda to support the ‘special military operation’ but have discussed the need for a proper ‘state ideology’.
Kati Parppei
wiley   +1 more source

Whose Nation Is It Anyway? Towards Methodological Cosmopolitanism in Studies of Nationalism and Nation‐Building in Kazakhstan

open access: yesNations and Nationalism, EarlyView.
ABSTRACT Scholarship on nationalism and nation‐building in Kazakhstan has been dominated by a social constructivist approach that privileges the civic–ethnic dichotomy. Even when critiques of this binary have emerged, they have often substituted proxy categories that reproduce the same dualism.
Rico Isaacs
wiley   +1 more source

Dancing Ambiguity: Nora and the Politics of Cultural Nationalisation in Southern Thailand

open access: yesNations and Nationalism, EarlyView.
ABSTRACT This paper examines Nora, a traditional dance‐drama from southern Thailand, through its designation as UNESCO Intangible Cultural Heritage (2021) and the Thai government's recognition of its performers as National Artists (2018, 2021). It situates these actions within Thailand's cultural nationalisation.
Goeun Kim
wiley   +1 more source

Giving voice. [PDF]

open access: yesOpen Res Eur
Ivić N.
europepmc   +1 more source

The Formosan Black Bear and Taiwanese Nationalism

open access: yesNations and Nationalism, EarlyView.
ABSTRACT Building on scholarship that situates nations and nationalism within colonial relations, this article examines nationalism in settler‐colonial Taiwan amid China's colonial claim to sovereignty. Drawing on interviews, conservation documents and popular representations, we show how the Formosan black bear became a national symbol of resistance ...
Yung‐Ying Chang, John Chung‐En Liu
wiley   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

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