Results 261 to 270 of about 212,735 (298)
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2021
Review of A History of Art History, Reviewed January 2021 by Jenna Dufour, Research Librarian for Visual Arts, University of California Irvine, dufourj@uci.edu.
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Review of A History of Art History, Reviewed January 2021 by Jenna Dufour, Research Librarian for Visual Arts, University of California Irvine, dufourj@uci.edu.
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History of Art and Anthropology of Art
Res: Anthropology and aesthetics, 2002In April 2000, the French president opened a permanent exhibition of primitive art in the Mus?e du Louvre in Paris. Jacques Chirac directly sponsored this exhibition, entrusting a collector and dealer (who was neither an art historian nor an anthropologist) with the task of organizing the entire show.
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World Futures, 1994
Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
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Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
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Editor's Statement: Art History vs. the History of Art
Art Journal, 1984During the relatively brief history of the history of art the study of American art has been at the periphery of the discipline. It may be that the focus of art historical scholarship, reflecting Bishop Berkeley's venerable dictum, has like art itself gradually moved westward, and is only now getting to England and America.
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Neurology, 1990
Ancient humans, lacking devices to store large amounts of information, invented and developed a system of mnemonics which evolved and passed to modern times. The mnemonics, collectively known as the Ancient Art of Memory, were discovered in 447 BC by a Greek poet, Simonides, and were adequately described by Cicero, Quintilian, and Pliny.
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Ancient humans, lacking devices to store large amounts of information, invented and developed a system of mnemonics which evolved and passed to modern times. The mnemonics, collectively known as the Ancient Art of Memory, were discovered in 447 BC by a Greek poet, Simonides, and were adequately described by Cicero, Quintilian, and Pliny.
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The History of Art Shaping Art?
1999The paper discusses the relationship between art history/theory and art in recent decades, taking as a starting point a passage in Gian Paolo Lomazzo’s Idea del Tempio della Pittura where a fictional ideal painting is described, the realisation of which supposed the recourse to an “eclectic” procedure.
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Sociologies of Art: With and against Art History
2012The sociology of art is a very young discipline scarcely three generations old, which has sometimes placed itself in competition with art history, a discipline markedly older with several centuries already behind it. This chapter focuses on the sociology of art, first of all, its historical dynamic, then its instruments, then, finally, the paths that ...
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