Results 171 to 180 of about 210,261 (292)
ABSTRACT A growing body of scholarship argues that collective memories of historical environmental change—formed and transmitted through museums, movies, novels, activist performances and other cultural texts and practices—can help nurture proenvironmentalism.
Olli Hellmann
wiley +1 more source
ABSTRACT The Russian Military Historical Society (RMHS) was founded in 2012 on President Vladimir Putin's orders. Since Russia's invasion of Ukraine in February 2022, the society's members have not only published propaganda to support the ‘special military operation’ but have discussed the need for a proper ‘state ideology’.
Kati Parppei
wiley +1 more source
Mr. Gilbert's World Tour: Rethinking Disabled Veterans Across British Imperial Spaces. [PDF]
Robinson M.
europepmc +1 more source
ABSTRACT Scholarship on nationalism and nation‐building in Kazakhstan has been dominated by a social constructivist approach that privileges the civic–ethnic dichotomy. Even when critiques of this binary have emerged, they have often substituted proxy categories that reproduce the same dualism.
Rico Isaacs
wiley +1 more source
Saving explorers and healing Amazonians: a history of the Tabloid medicine chest used in Hamilton Rice's 1919-1920 Amazon expedition. [PDF]
Limeira-daSilva VR.
europepmc +1 more source
Dancing Ambiguity: Nora and the Politics of Cultural Nationalisation in Southern Thailand
ABSTRACT This paper examines Nora, a traditional dance‐drama from southern Thailand, through its designation as UNESCO Intangible Cultural Heritage (2021) and the Thai government's recognition of its performers as National Artists (2018, 2021). It situates these actions within Thailand's cultural nationalisation.
Goeun Kim
wiley +1 more source
In defence of medical judgement: medicalisation strategies in the daily life of the Lima Asylum in the last third of the 19th century. [PDF]
Amaya Nuñez E.
europepmc +1 more source
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source

