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Toward critical global histories of music: developing theory for an emergent field
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Toward a “Global” History of Music Theory
Journal of Music Theory, 2022AbstractThe history of music theory, as it has usually been taught in the United States, has focused on a small canon of texts written mostly in Latin, Italian, French, and German. This article advocates a more expansive view of the subdiscipline's remit by way of three case studies.
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Music – Number – Word. History and Theory of Connections
2021The purpose of the article is to analyze the history of connections of music with the world of numbers, on the one hand, and the world of words and verbal utterance, on the other. Number and word, usually considered to be drastically opposed in relation to music, in the doctrine of the Russian philosopher of the 20th century Alexei Losev became the ...
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Studies in the History of Italian Music and Music Theory
1994Abstract Claude V. Palisca has long been acknowledged as a leading authority on Italian music of the late sixteenth and early seventeenth centuries. These nineteen essays, originally published between 1956 and 1989, draw together a body of significant research into Italian music and music theory, and make readily available papers widely ...
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Women’s Labor and the History of Music Theory
The Journal of MusicologyIf in recent decades the field of music theory has seen a reduction in inequalities in gender representation, its histories remain sites of stark imbalance. Rather than working to increase the representation of women as authors of music-theoretical texts, this article seeks to recognize the contributions of women to histories that we already (think we)
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