Results 221 to 230 of about 177,940,962 (271)
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World Futures, 1994
Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
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Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
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Fertility and Sterility, 2004
The standard questionnaire is a tool to collect information for a survey, but its validity for patient management is doubtful. Taking a history is a skill that cannot be replaced by a questionnaire.
Togas, Tulandi, Robert, Platt
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The standard questionnaire is a tool to collect information for a survey, but its validity for patient management is doubtful. Taking a history is a skill that cannot be replaced by a questionnaire.
Togas, Tulandi, Robert, Platt
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Neurology, 1990
Ancient humans, lacking devices to store large amounts of information, invented and developed a system of mnemonics which evolved and passed to modern times. The mnemonics, collectively known as the Ancient Art of Memory, were discovered in 447 BC by a Greek poet, Simonides, and were adequately described by Cicero, Quintilian, and Pliny.
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Ancient humans, lacking devices to store large amounts of information, invented and developed a system of mnemonics which evolved and passed to modern times. The mnemonics, collectively known as the Ancient Art of Memory, were discovered in 447 BC by a Greek poet, Simonides, and were adequately described by Cicero, Quintilian, and Pliny.
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On the Universality of the History of Art*
Art Journal, 1982The difficulties of writing about the methodology of the history of art are many: fear of being obvious, obscure, or doctrinaire; reticence in raising fundamental issues when established ways seem perfectly acceptable within the academy; a confusing tendency to borrow without reflection from fields such as anthropology or literature in which debates on
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The Austral Islands: history, art and art history
The Journal of Pacific History, 2013Rhys Richards is an independent researcher with an amateur's passion for Polynesian history and a sleuth's taste for facts, evidence and detail.
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Art History, Art Museums, and Power: A Critical Art History Curriculum
Art History Pedagogy & Practice, 2020Engaging in the recent tradition of disciplinary and instructional self-critique by art historians teaching at the college level, this teaching practice reflection pursues the question of how an art history survey class can benefit from activities grounded in theoretical texts.
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‘New Art History’ vs. ‘Old History’: writing art history
Byzantine and Modern Greek Studies, 1986Readers of the judicious paper by John Haldon on ‘“Jargon” vs. “the Facts”?’ Byzantine History-Writing and Contemporary Debates’ will have looked in vain for comment on the status of visual evidence. It is not that art is entirely unmentioned — a reference is made to the history of art and of cultural production in general as belonging to the history ...
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Editor's Statement: Art History vs. the History of Art
Art Journal, 1984During the relatively brief history of the history of art the study of American art has been at the periphery of the discipline. It may be that the focus of art historical scholarship, reflecting Bishop Berkeley's venerable dictum, has like art itself gradually moved westward, and is only now getting to England and America.
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Sociologies of Art: With and against Art History
2012The sociology of art is a very young discipline scarcely three generations old, which has sometimes placed itself in competition with art history, a discipline markedly older with several centuries already behind it. This chapter focuses on the sociology of art, first of all, its historical dynamic, then its instruments, then, finally, the paths that ...
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Art History Is Dead; Long Live Art History!
de arte, 2017The # RhodesMustFall campaign that began at the University of Cape Town in early 2015, called for the decolonisation of South African university curricula, among other transformations.
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