Results 281 to 290 of about 75,002 (338)
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On the Educational Significance and Value of Visual Arts
The Journal of Aesthetic Education, 2022:There can be little doubt, from the enduring contemporary popularity of art galleries and museums, that such visual arts as painting and sculpture are sources of perceptual and emotional satisfaction and pleasure to a large viewing public.
D. Carr
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Northeast Asian Modern Martial Arts: An Embodied Synthesis of Virtue Ethics and Deontology
International Journal of the History of Sport, 2021Moral philosophy has been dominated by three traditions: virtue ethics, utilitarianism, and deontology. This paper challenges two common assumptions behind these ethical outlooks: their place of origin (the West) and their location of ethical conduct ...
Alexander Svitych
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World Futures, 1994
Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
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Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
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Irish Studies Review, 2007
Art in Belfast 1760–1888: Art Lovers or Philistines?, Eileen Black, 2006, Dublin, Irish Academic Press, pp.
Tara Stubbs +13 more
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Art in Belfast 1760–1888: Art Lovers or Philistines?, Eileen Black, 2006, Dublin, Irish Academic Press, pp.
Tara Stubbs +13 more
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History of Art and Anthropology of Art
Res: Anthropology and aesthetics, 2002In April 2000, the French president opened a permanent exhibition of primitive art in the Mus?e du Louvre in Paris. Jacques Chirac directly sponsored this exhibition, entrusting a collector and dealer (who was neither an art historian nor an anthropologist) with the task of organizing the entire show.
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Looking back and looking forward: educational drama in Chinese language arts education
Research in Drama Education: The Journal of Applied Theatre and Performance, 2021For the last few decades there has been an increased growth for practice in Educational Drama in China. This pedagogical approach has caught the attention of Chinese language arts educators, who teach Chinese as a first language.
Xiangyu Chi, G. Belliveau, Beifei Dong
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The History of Art and the Art of History
College Art Journal, 1946Two recent articles in the College Art Journal1 have directed strong criticism upon the field of art history in American colleges and universities today. Mr. Wright has objected to the kind of textbooks available for use in art history courses, and has made specific recommendations for a different type of book on Far Eastern Art by more than fifty ...
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European Journal of the History of Economic Thought, 2021
This paper aims to resolve a seeming paradox in Adam Smith’s study of history with regard to inference to the best explanation. In the Wealth of Nations Smith argued the priority of “natural progress” over the model of historical progress as evidenced by
Kwangsu Kim
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This paper aims to resolve a seeming paradox in Adam Smith’s study of history with regard to inference to the best explanation. In the Wealth of Nations Smith argued the priority of “natural progress” over the model of historical progress as evidenced by
Kwangsu Kim
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The History of Psychiatry as the History of an Art
British Journal of Psychiatry, 1975T. S. Eliot, standing on his doorstep, with his Boston Evening Transcript in his hand, ‘turned wearily as he would turn to nod goodbye to Rochefoucauld if the street were time and he at the end of the street’. The same weary gaze characterizes the attitude of most psychiatrists towards important figures in the past history of their subject.
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Epic and Tragic Music: The Union of the Arts in the Eighteenth Century
Journal of the History of Ideas, 2011I. THE UNION OF THE ARTS IN WEIMARAround 1800 in Weimar, thought on Greek tragedy crystallized around the union of speech, music, and gesture - what Wagner would later call the Gesamtkunstwerk.
J. Billings
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