Results 21 to 30 of about 75,002 (338)

Mstislav Dobuzhinsky — The Author of the Graphic Design of Mikhail Kuzmin’ Books [PDF]

open access: yesХудожественная культура
Between 1918 and 1922, Mstislav Dobuzhinsky created the design for four books by Mikhail Kuzmin: the story The Wonderful Life of Joseph Balsamo, Count Cagliostro, the play Mary’s Tuesday, the collection of poems Unearthly Evenings, and the musical and ...
Zavyalova Anna E.
doaj   +1 more source

On the Formation of the Secondary Art Market in the 18th-Century Paris [PDF]

open access: yesХудожественная культура
In the 18th-century France the secondary art market was rapidly developing. The key figures in that process were marchands, or art dealers. The article is aimed at investigating different aspects of marchands’ activity.
Agratina Elena E.
doaj   +1 more source

Imvestigation and Research on Flipped Classroom of "History of Chinese Arts and Crafts'"Based on WeChat Platform

open access: yesProceedings of the 2019 3rd International Conference on Education, Culture and Social Development (ICECSD 2019), 2019
This study takes the grade 2018 Honghe University students of arts and crafts and product design as the research objects, and introduces flipped classroom teaching into the teaching of history of Chinese arts and crafts.
Liu Yuan
semanticscholar   +1 more source

Questions of collecting graphics in the correspondence of fine art experts and artists of the 1920s and 1930s

open access: yesИскусство Евразии, 2021
The article examines the statements about collecting graphics contained in the letters of art historians and artists of the 1920s and 1930s. These sources rarely come to the attention of scientists, many of them have not yet been published. However, they
Fomin, D.V.
doaj   +1 more source

On the important activity of art collecting

open access: yesИскусство Евразии, 2020
The article is an introduction to the conference “From the history of collecting: patrons, collectors, founders of museums”, organized by the Russian Academy of Arts. The author's address to the participants is devoted to a short story about people whose
Fedotova, E.D.
doaj   +1 more source

Christopher S. Wood, A History of Art History

open access: yes21: Inquiries into Art, History, and the Visual, 2020
21: Inquiries into Art, History, and the Visual, Bd. 1 Nr. 1 (2020): 21: Inquiries into Art, History, and the Visual.
Hildebrandt, Toni, Quené, Saskia C.
openaire   +3 more sources

Nikolay Ivanovich Petrov and collection of Byzantine icons in the Church Archaeological Museum of Kiev Theological Academy

open access: yesИскусство Евразии, 2020
Nikolai Ivanovich Petrov (1840–1921) – Russian and Ukrainian scholar, professor of the Kiev Theological Academy, long-term curator in the Museum of Church Archaeology at the Kiev Theological Academy. A significant place in this collection belonged to the
Etinhof, O.E.
doaj   +1 more source

Genre Painting and Portraiture: On the Boundary Between Genres [PDF]

open access: yesХудожественная культура
The article highlights a trend in Russian and Western painting concerning the boundaries between genre and portraiture. In the article the author refers to such pieces of art as a mixed ‘everyday genre with portraiture’, though some other definitions are
Samokhin Aleksandr
doaj   +1 more source

PERIODICAL «PROSVITNII LYSTOK» (“ENLIGHTENMENT LEAF”) AS SOURCE FOR RECONSTRUCTION OF HISTORY OF UKRAINIAN COMMUNITY DEVELOPMENT IN WETZLAR CAMP, GERMANY (1916)

open access: yesКиївські історичні студії, 2020
The article attempts to reconstruct the course of cultural, educational and national-organisational work in the Wetzlar camp (Germany) in 1916 by frontal elaboration of the annual set of the camp journal «Prosvitnyi Lystok».
Ihor Sribnyak, Victor Schneider
doaj   +1 more source

Emerging in the East: the Shanghai Biennale’s pathways to legitimation, 1996 to 2018

open access: yesThe Journal of Chinese Sociology, 2022
This study examines the 22-year development of the Shanghai Biennale from a localized contemporary art exhibition to an internationally renowned art biennale. Through the lens of organizational legitimacy, this research examines how the Shanghai Biennale
Chenchen Zhu, LEA Braden
doaj   +1 more source

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