Results 21 to 30 of about 23,342 (50)

Questions of collecting graphics in the correspondence of fine art experts and artists of the 1920s and 1930s

Искусство Евразии, 2021
The article examines the statements about collecting graphics contained in the letters of art historians and artists of the 1920s and 1930s. These sources rarely come to the attention of scientists, many of them have not yet been published. However, they
Fomin, D.V.
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Regarding some Russian and regional exhibition projects of the 2020s in the art space of Kazan: a critical analysis

Историческая этнология
The article analyzes the art space of Kazan as one of Russia’s cultural centers through the lens of contemporary exhibition art projects initiated by museums, exhibition halls, and galleries.
Irina F. Lobasheva, Ekaterina A. Fakhrazieva   +1 more
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Beyond ‘A Clinical Lesson at La Salpêtrière’: a brief assessment of André Brouillet’s other paintings on medical subjects, life, and times

Arquivos de Neuro-Psiquiatria
André Brouillet’s (1857-1914) famous group tableau ‘A Clinical Lesson at La Salpêtrière’ (French: Une leçon clinique à la Salpêtrière) is possibly the most celebrated painting in the history of neurology.
Matheus Kahakura Franco PEDRO, Thiago Ferreira Simões DE SOUZA, Francisco Manoel Branco GERMINIANI, Hélio Afonso Ghizoni TEIVE, Olivier WALUSINSKI   +4 more
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Metropolitan and Regional Art in Russia, 2000–2025 [PDF]

Художественная культура
The issue of metropolitan and ‘provincial’ qualities in art belongs to the ground problems of art studies. No doubt that an attempt to classify and interpret new visual artworks created in Moscow and St. Petersburg, on the one hand, and those made in the
Yakimovich Alexander K.
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Nikolay Ivanovich Petrov and collection of Byzantine icons in the Church Archaeological Museum of Kiev Theological Academy

Искусство Евразии, 2020
Nikolai Ivanovich Petrov (1840–1921) – Russian and Ukrainian scholar, professor of the Kiev Theological Academy, long-term curator in the Museum of Church Archaeology at the Kiev Theological Academy. A significant place in this collection belonged to the
Etinhof, O.E.
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PERIODICAL «PROSVITNII LYSTOK» (“ENLIGHTENMENT LEAF”) AS SOURCE FOR RECONSTRUCTION OF HISTORY OF UKRAINIAN COMMUNITY DEVELOPMENT IN WETZLAR CAMP, GERMANY (1916)

Київські історичні студії, 2020
The article attempts to reconstruct the course of cultural, educational and national-organisational work in the Wetzlar camp (Germany) in 1916 by frontal elaboration of the annual set of the camp journal «Prosvitnyi Lystok».
Ihor Sribnyak, Victor Schneider
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Mapping sexual dimorphism signal in the human cranium

Scientific Reports, 2023
The study of sexual dimorphism in human crania has important applications in the fields of human evolution and human osteology. Current, the identification of sex from cranial morphology relies on manual visual inspection of identifiable anatomical ...
Antonietta Del Bove, Lumila Menéndez, Giorgio Manzi, Jacopo Moggi-Cecchi, Carlos Lorenzo, Antonio Profico   +5 more
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Genre Painting and Portraiture: On the Boundary Between Genres [PDF]

Художественная культура
The article highlights a trend in Russian and Western painting concerning the boundaries between genre and portraiture. In the article the author refers to such pieces of art as a mixed ‘everyday genre with portraiture’, though some other definitions are
Samokhin Aleksandr
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The Family Tree of Vs. Meyerhold: Discoveries and a Stylistic Trap [PDF]

Художественная культура
The Meyerhold Tree. Family Tree of the Vs.E. Meyerhold: Collection of Documents / The idea, introductory chapters, comments, and editorship by V.F. Kolyazin. Moscow: Bit-print Publ., 2024. 184 p., ill.
Yakimovich Alexander K.
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Emerging in the East: the Shanghai Biennale’s pathways to legitimation, 1996 to 2018

The Journal of Chinese Sociology, 2022
This study examines the 22-year development of the Shanghai Biennale from a localized contemporary art exhibition to an internationally renowned art biennale. Through the lens of organizational legitimacy, this research examines how the Shanghai Biennale
Chenchen Zhu, LEA Braden
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