Results 291 to 300 of about 75,002 (338)
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The Austral Islands: history, art and art history
The Journal of Pacific History, 2013Rhys Richards is an independent researcher with an amateur's passion for Polynesian history and a sleuth's taste for facts, evidence and detail.
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Journal of Aesthetics and Art Criticism, 2002
Despite the precedent of St. Paul who was understandably flogged for his temerity in most of the cultural centers of his age, I preach a doctrine that is no less offensive than his, to a contemporary ear. Art has no history, and art museums are intellectually abhorrent institutions to the extent that their acquisitive curators take the recognition of a
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Despite the precedent of St. Paul who was understandably flogged for his temerity in most of the cultural centers of his age, I preach a doctrine that is no less offensive than his, to a contemporary ear. Art has no history, and art museums are intellectually abhorrent institutions to the extent that their acquisitive curators take the recognition of a
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THE SPRINGBOARD IN THE POND: AN INTIMATE HISTORY OF THE SWIMMING POOL
Leonardo: Journal of the International Society for the Arts, Sciences and Technology, 2000This book, by Dutch historian Thomas A.P. van Leeuwen, is the second in an anticipated series of four unorthodox books on architecture in relation to the four classical elements: air, water, fire and earth.
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Fertility and Sterility, 2004
The standard questionnaire is a tool to collect information for a survey, but its validity for patient management is doubtful. Taking a history is a skill that cannot be replaced by a questionnaire.
Robert W. Platt, Togas Tulandi
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The standard questionnaire is a tool to collect information for a survey, but its validity for patient management is doubtful. Taking a history is a skill that cannot be replaced by a questionnaire.
Robert W. Platt, Togas Tulandi
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The history of memory arts [PDF]
Neurology, 1990 Ancient humans, lacking devices to store large amounts of information, invented and developed a system of mnemonics which evolved and passed to modern times. The mnemonics, collectively known as the Ancient Art of Memory, were discovered in 447 BC by a Greek poet, Simonides, and were adequately described by Cicero, Quintilian, and Pliny.
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Antiquity, 1931
When we look at the great diversity of man’s activities and interests, it is evident how much space they afford for reviewing his history in many different ways. To most of our historians the view of the political power and course of legislation has seemed all that need be noticed; others have dealt with history in religion, or the growth of mind in ...
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When we look at the great diversity of man’s activities and interests, it is evident how much space they afford for reviewing his history in many different ways. To most of our historians the view of the political power and course of legislation has seemed all that need be noticed; others have dealt with history in religion, or the growth of mind in ...
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On the Universality of the History of Art*
Art Journal, 1982The difficulties of writing about the methodology of the history of art are many: fear of being obvious, obscure, or doctrinaire; reticence in raising fundamental issues when established ways seem perfectly acceptable within the academy; a confusing tendency to borrow without reflection from fields such as anthropology or literature in which debates on
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Cultural Districts: Mixing the Arts and Other Businesses
Sociology of the Arts, 2019Eleonora Redaelli
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