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Relationships between arts participation, social cohesion, and well-being: an integrative review of evidence. [PDF]
Sonke J+11 more
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Power of creative arts for older people with chronic pain and depressive symptoms: co-development of the Rewire with Arts protocol and findings from a pilot study. [PDF]
Liu T+7 more
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Differences in emotional expression among college students: a study on integrating psychometric methods and algorithm optimization. [PDF]
Chen X.
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Building resilience through self-defense: the role of martial arts in enhancing psychological strength among women. [PDF]
Pekel A+6 more
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2021
Review of A History of Art History, Reviewed January 2021 by Jenna Dufour, Research Librarian for Visual Arts, University of California Irvine, dufourj@uci.edu.
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Review of A History of Art History, Reviewed January 2021 by Jenna Dufour, Research Librarian for Visual Arts, University of California Irvine, dufourj@uci.edu.
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World Futures, 1994
Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
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Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
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Irish Studies Review, 2007
Art in Belfast 1760–1888: Art Lovers or Philistines?, Eileen Black, 2006, Dublin, Irish Academic Press, pp.
Tara Stubbs+13 more
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Art in Belfast 1760–1888: Art Lovers or Philistines?, Eileen Black, 2006, Dublin, Irish Academic Press, pp.
Tara Stubbs+13 more
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