Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music [PDF]
Humanities & Social Sciences Communications, 2021 Tonality is one of the most central theoretical concepts for the analysis of Western classical music. This study presents a novel approach for the study of its historical development, exploring in particular the concept of mode.
Daniel Harasim +3 more
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Tonalität als geschichtliches System. ›Dogmatische Denkform‹ und historischer Nachweis [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2016 Die Entstehung der harmonischen Tonalität bereitet einer wissenschaftlichen Erklärung insofern Schwierigkeiten, als Tonalität einen Gegenstand darstellt, der einerseits Systemcharakter besitzt, der andererseits aber geschichtlich aus dem allmählichen ...
Michael Polth
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„Azi este o zi bună pentru sinucigaşi”. Tematizarea morţii şi alte (in)decenţe confesive ale diaristului Eugen Simion [PDF]
Revista de Istorie și Teorie Literară, 2023 According to not a few diary researchers from both Eastern and Western Europe, the journal is, of all the genres of biography, the species most threatened to turn into a savoir mourir guide.
Emanuela Ilie
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Die Entstehung der Entstehung [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2016 Im Jahr 1968 veröffentlichte Carl Dahlhaus seine Habilitationsschrift Untersuchungen über die Entstehung der harmonischen Tonalität, die seinen Status als einer der führenden Historiker in Fragen der Musiktheorie zu festigen half.
Thomas Christensen
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„Tote Aber Leben Länger“. The Second Viennese school and its place in the reflections of selected composers from the second half of the twentieth century (Lutosławski, Ligeti, Lachenmann, Harvey) [PDF]
Muzikologija, 2020 The juxtaposition of classicism and actuality is a good description of the ambiguous position occupied by the Second Viennese School not only in the eyes of the scholars who research it, but also of composers who can be regarded as its ...
Schreiber Ewa
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Schönberg, Dahlhaus und das Problem der ›emanzipierten Dissonanz‹ – Anmerkungen zu op. 15/14 [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2016 Der erste Teil des Beitrags behandelt Dahlhaus’ Deutung der Schönberg’schen »Emanzipation der Dissonanz« (als eines mit der Auflösung der Tonalität untrennbar verknüpften Begriffs) sowie den allmählichen Wandel dieser (durch Adorno geprägten) Deutung vor
Volker Helbing
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Tonic, Final, Kyū: Tonal Mappings in the Meiji Period and Beyond [PDF]
Analytical Approaches to World Music, 2021 This article discusses the state of music theory in late-nineteenth- and early-twentieth-century Japan, where musicians were invested in finding ways to map theories of traditional Japanese music and those of European tonality onto each other.
Hynes-Tawa, Liam
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What Have Genre Studies Given to Modern Linguistics? [PDF]
Жанры речи, 2020 The article summarizes the preliminary results of the interaction of genre studies and linguistics of the last three decades. The significance of genre studies for linguistics is determined by the fact that the speech genres themselves are of exceptional
Dementyev, Vadim Viktorovich
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Discovering Tonal Profiles with Latent Dirichlet Allocation
Music & Science, 2021 Music analysis, in particular harmonic analysis, is concerned with the way pitches are organized in pieces of music, and a range of empirical applications have been developed, for example, for chord recognition or key finding. Naturally, these approaches
Fabian C. Moss, Martin Rohrmeier
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Song Transmission as a Formal Cultural Practice
Frontiers in Psychology, 2021 From a biological point of view, the singing of songs is based on the human vocal learning capacity. It is universally widespread in all cultures. The transmission of songs is an elementary cultural practice, by which members of the older generations ...
Stefanie Stadler Elmer
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