Gesturing While Writing: An Alternate Perspective on Mimetic Prosody
Critical Quarterly, EarlyView.
Paul Magee
wiley +1 more source
Johan Svendsen and Two‐Dimensional Sonata Form
Music Analysis, EarlyView.ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
wiley +1 more source
Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead
Orbis Litterarum, EarlyView.Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
wiley +1 more source
Visualizing Qualitative Research
Public Administration Review, EarlyView.ABSTRACT Although qualitative research is typically seen as working with verbal text, visual representations are frequently used in qualitative research in our field. This paper examines visualization as a research practice, aiming to encourage its reflective use and further development. We contribute to the literature on qualitative research in public
Merlijn van Hulst, E. Lianne Visser
wiley +1 more source
Generative AI and the Future of Musical Diversity
Topics in Cognitive Science, EarlyView.Abstract I argue that the current proliferation of generative artificial intelligence (AI) represents a new stage in a longer historical process of distancing humans from their unique individual psyches and of reducing participation and cultural diversity in music. The argument consists of six parts: (1) reiterating the uniqueness of individual psyches,
Dor Shilton
wiley +1 more source
The Legacy of Lerdahl & Jackendoff’s A Generative Theory of Tonal Music:Bridging a significant event in the history of music theory and recent developments in cognitive music research [PDF]
, 2011 Fred Lerdahl and Ray Jackendoff’s A Generative Theory of Tonal Music (GTTM) has only received limited attention in Danish music theory. Yet, its infl uence is irrefutable in terms of introducing the ‘cognitive paradigm’, which changed analytical focus from musical structure to the listening process.
openaire +1 more source
An analysis of the keyboard works of three sons of Bach: Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach, Johann Christian Bach. [PDF]
, 1949 Thesis (B.M.)--Boston ...
Moreland, Margaret A
core +1 more source
The Soundtrack (Putting Music in Its Place) [PDF]
There are currently many books and journals on film music in print, most of which describe music as a separate activity from film, applied to images most often at the very end of the production process by composers normally resident outside the filmic ...
Deutsch, Stephen
core +1 more source
Fugitive Junctures: Life‐Seeking, Route‐Finding and the Mobile Ensemble at Kenya's Borders
Transactions of the Institute of British Geographers, EarlyView.Short Abstract Fugitivity has become an important conceptual frame to understand the illegalised mobilities of contemporary migrants in conjunction with enslaved people's historical lines of flight as spatial praxes to seize their own freedom. Thinking from Kenya, and drawing on research with migrants, border officials, activists, police and smugglers,
Hanno Brankamp
wiley +1 more source
Perspectives on Gerhard: Selected Proceedings of the 2nd and 3rd International Roberto Gerhard Conferences [PDF]
, 2015 Perspectives on Gerhard expands several papers given at the 2nd and 3rd International Roberto Gerhard Conferences in 2012 and 2013. The book focuses on two aspects of Gerhard. Firstly, the pre-1939 period in which he was a student of Schoenberg and then,
Adkins, Monty, Russ, Michael
core