Results 71 to 80 of about 2,799 (208)
Music AnalysisIn major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐
R. Parncutt
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Judaism, Philo, and Hegel's Theology
Modern Theology, EarlyView.Abstract Hegel displays consistent interest in Judaism, but his presentation seems to differ widely between his earlier and later writings. Contemporary scholarly interpretations of this apparent change also differ widely. In this article, I present the interpretive problem as one of continuity‐discontinuity, and place the major scholarly treatments ...
Reed Frey, C.O.
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Discursive characteristics of negative manipulative communicative demonstrativeness
Vestnik of Samara University History pedagogics philologyThe article is devoted to the concept definition of negative manipulative communicative demonstrativeness and the identification its implementation means in speech.
I. Tislenkova
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Gendered Harmony and Unsung Collections: Two Debussy Rabbit Holes
Music Analysis, EarlyView.ABSTRACT This review article on Mark McFarland's The Musical Relationship between Claude Debussy and Igor Stravinsky (2024) offers a critical reading of this recent text and treats its content as a springboard for the exploration of two issues untapped in existing musicological discourse.
Rajan Lal
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Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata
Music Analysis, EarlyView.ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
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Titian's Falconer: From Zorzone to Girolamo Cornaro
Renaissance Studies, EarlyView.ABSTRACT The identity of the sitter in Titian's Falconer and the issue of its dating have been subject to a false, yet very influential assumption: that The Falconer should be dated to a point as late as 1537 in order to connect it to the identity of Zorzone Cornaro (1517–1571), son of Girolamo (1485–1551).
Rachel Healy
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Unmarked Emotional States and the Affective Anchoring of Continuity
Sociological Forum, EarlyView.ABSTRACT Narratives around emotions often foreground remarkable episodes that interrupt situations, producing a “rollercoaster” image of emotional life that leaves its stability underdescribed. To analyze the emotional dimension of social continuity, this article theorizes unmarked emotional states (UES): culturally default, interactionally unobtrusive
Lorenzo Sabetta
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Biological principles for music and mental health. [PDF]
Transl Psychiatry, 2023 Bowling DL.
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Generative AI and the Future of Musical Diversity
Topics in Cognitive Science, EarlyView.Abstract I argue that the current proliferation of generative artificial intelligence (AI) represents a new stage in a longer historical process of distancing humans from their unique individual psyches and of reducing participation and cultural diversity in music. The argument consists of six parts: (1) reiterating the uniqueness of individual psyches,
Dor Shilton
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Sir and Guys in 20th‐ and 21st‐Century American English
World Englishes, EarlyView.ABSTRACT This paper examines the diachronic development of formal and informal address and reference terms in American English as an effect of democratization using the COHA corpus (1900–2020). In focus are two address/reference terms with especially drastic frequency trends in the timespan investigated: the honorific sir, which declines sharply from ...
Hanna Bruns, Svenja Kranich
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