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The Hockney thesis and the history of optical projection
Frontiers in Optics 2004/Laser Science XXII/Diffractive Optics and Micro-Optics/Optical Fabrication and Testing, 2004David Hockney's recent book Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters, argues that 15th century painters employed optical devices to achieve realistic portraiture. A reexamination of the history of optical projection techniques raises problems for Hockney's thesis.
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Centro cultural David Hockney, Madrid
, 1998 Centro cultural David Hockney, Madrid. Convocatoria Diciembre. Plan 1975. Proyecto fin de carrera. Universidad Politécnica de Madrid.
Jaque Ovejero, Andrés
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An application of Hockney's method for solving Poisson's equation
Proceedings of the May 5-7, 1970, spring joint computer conference on - AFIPS '70 (Spring), 1970The classical techniques of separation of variables and eigenfunction expansions apply to a wide variety of boundary value problems in partial differential equations. Analogous procedures exist for certain partial difference equations that arise from discretization of the differential equations.
R. Colony, R. R. Reynolds
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2014
This resource is a single blog post created as part of the Day of Archaeology initiative. The Day of Archaeology project aimed to provide a window into the daily lives of archaeologists from all over the world. The project asked people working, studying or volunteering in the archaeological world to participate in a 'Day of Archaeology' each year by ...
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This resource is a single blog post created as part of the Day of Archaeology initiative. The Day of Archaeology project aimed to provide a window into the daily lives of archaeologists from all over the world. The project asked people working, studying or volunteering in the archaeological world to participate in a 'Day of Archaeology' each year by ...
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The Implications of David Hockney Thesis for 3D Computer Graphics
2011 15th International Conference on Information Visualisation, 2011David Hockney's 2001 book Secret Knowledge of the Masters, reignited the debate on the use of optical devices for constructing perspective images in the Renaissance. In it, he brings his insights as an artist to the debate. This paper explores his thesis in terms of its implications for 3D computer graphics.
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