Results 11 to 20 of about 446,967 (348)
Многоязычие в образовательном пространстве, 2019 Although the genre of horror has gained an extraordinary popularity in contemporary literature, it still raises controversy among specialists. The situation in Russia is especially complicated.
Vyacheslav Sergeevich Malykh
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Nature, 1998 Can you tell a criminal from the look of his face? The “downright detestable” appearance of Robert Louis Stevenson's evil Mr Hyde stands in the same tradition as the images used by Darwin in his work on pathognomics.
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Existentialism and art-horror [PDF]
, 2010 This article explores the relationship between existentialism and the horror genre. Noël Carroll and others have proposed that horror monsters defy established categories. Carroll also argues that the emotion they provoke - 'art-horror' - is a 'composite'
Hanscomb, S.
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Horrible Heroes: Liberating Alternative Visions of Disability in Horror
Disability Studies Quarterly, 2016 Understanding disability requires understanding its social construction, and social construction can be read in cultural products. In this essay, I look to one major locus for images of persons with disabilities—horror.
Melinda Hall
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Review: Horror Film: A Critical Introduction by Murray Leeder
Open Screens, 2018 This is a book review of Horror Film: A Critical Introduction by Murray Leeder, a comprehensive yet concise introductory guide to horror cinema.
John Lynskey
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The Horror of the Anthropocene
C21 Literature: Journal of 21st-century Writings, 2018 In this essay I explore the profound and specific fastening of horror to the Anthropocene by considering both scientific and philosophical responses to our contemporary moment.
Sarah Dillon
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Film Horor Sebuah Definisi yang Berubah
Wacana: Journal of the Humanities of Indonesia, 2003 Horror film is a film genre that presents things that are frightening, tense, and horrifying. The idea of horror film is basically to terrorize the audience through various terrifying acts or actors.
M. Yoesoef
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'From grade B thrillers to deluxe chillers': prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946) [PDF]
, 2009 This paper examines the prestige ‘shocker’ The Spiral Staircase (1946), suggesting that it challenges the perception of the decline in quality in the horror genre in the 1940s, as well as assumptions in scholarship that the genre has historically been ...
Snelson, Tim
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SAGE Open, 2020 This study aims to examine young Turkish university students’ perceptions on horror movies and the impact of this genre on them. Also, this study aims to gain an understanding of the role of makeup and special effect makeup in horror movies for this ...
Vali Gjinali, Elif Asude Tunca
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