Results 261 to 270 of about 43,438 (308)
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2023
Abstract The chapter reveals the story of the father of Syed Abdul Waheed who tried his best to save his children. The details of an escape attempt from Ambala, are still fresh in the memory of narrator as he explains in great detail: how her sisters and father disguised themselves to hide their Islamic identities.
Sandeep Dutt, Faisal Hayat, null Ritika
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Abstract The chapter reveals the story of the father of Syed Abdul Waheed who tried his best to save his children. The details of an escape attempt from Ambala, are still fresh in the memory of narrator as he explains in great detail: how her sisters and father disguised themselves to hide their Islamic identities.
Sandeep Dutt, Faisal Hayat, null Ritika
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2002
This project is a little bit different. It doesn’t exist (yet), but is a project in motion which will be live and happening by mid 2003. The project is entitled ‘Suburban Satan’ and is a low budget horror flick that we are heavily involved in (special effects shots, post-production). We are also creating an intro sequence, which is what we are going to
Christian Darkin +6 more
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This project is a little bit different. It doesn’t exist (yet), but is a project in motion which will be live and happening by mid 2003. The project is entitled ‘Suburban Satan’ and is a low budget horror flick that we are heavily involved in (special effects shots, post-production). We are also creating an intro sequence, which is what we are going to
Christian Darkin +6 more
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Choice Reviews Online, 2012
Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. Horror and the Horror Film conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power.
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Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. Horror and the Horror Film conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power.
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2016
This chapter examines some of the cultural and literary influences that helped to shape Shakespeare’s play, looking at several of the ways that he uses intertexts to help generate a horrific atmosphere. It then looks at influences that Macbeth has had on the Gothic genre before finally considering how some recent stage directors have attempted to re ...
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This chapter examines some of the cultural and literary influences that helped to shape Shakespeare’s play, looking at several of the ways that he uses intertexts to help generate a horrific atmosphere. It then looks at influences that Macbeth has had on the Gothic genre before finally considering how some recent stage directors have attempted to re ...
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The Horror, The Horror: What Kind of (Horror) Movie is the Apocalypse?
The Journal of Religion and Popular Culture, 2010The Apocalypse, its interpreters, and apocalyptic films make much of monstrous evils and violent ends. Apocalyptic does so in order to prevent community members’ failure/apostasy. The fear of such failure is Apocalypse’s first horror feature. Because its final fantasy is of an absolute Empire, the Apocalypse is also inseparable from cinematic horror ...
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“The Horror! The Horror!”: Tracing Horror in Modernism from Conrad to Eliot
2018This chapter interrogates the links between the nineteenth and twentieth centuries, exploring their relationship to the unknown and the horror thus associated. Using Modernism as a frame, the chapter focuses on descriptions of death and decay, encounters with ghostly figures of corpses, and the memories of those lost, showing how they haunt these texts.
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THE HORROR OF TECHNOLOGY AND THE TECHNOLOGY OF HORROR
Культурный кодThe subject of research in this article is the horror genre, which until recently was most fully represented in the cinema. However, in the modern world, the phenomenon of the “terrible” is also constructed in the new forms of analog horror and its continuation - digital horror, which are the main objects of study of this article.
Lev Gavrilov, Yulia Vetoshkina
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The horror, the horror: stigma on screen
The Lancet Psychiatry, 2014John Preston, Shand +2 more
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