Results 51 to 60 of about 63,617 (287)
Folk horror in the twenty-first century
, 2022 Casey highlights the Folk Horror in the Twenty-First Century conference at Falmouth University. The conference was a two-day multidisciplinary exploration and interconnected discussion of this new and vibrant facet of Horror Studies.
Casey, Máiréad
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TESOL Quarterly, EarlyView.Abstract This article examines how online tutoring platforms (OTPs) have facilitated new forms of (im)mobility—and discourses of (im)mobility—among online English tutors. Drawing on semi‐structured interviews with online tutors, the article critically interrogates OTPs' primary selling point: that online tutors can work “anytime, anywhere.” While OTPs ...
Nate Ming Curran
wiley +1 more source
The Hidden Hallyu Emerged: Exploring the Key Motives of Reading Adapted K‐Webtoons of South Korea
Thunderbird International Business Review, EarlyView.ABSTRACT This study aims to investigate why global fans read Korean webtoons (K‐webtoons) and how their motivations vary across different genres. Previous studies have approached the Korean Wave (Hallyu) from a national perspective, emphasizing its influence and primarily discussing K‐pop and K‐drama.
Hoseok Gwak +3 more
wiley +1 more source
Australian Journal of Public Administration, EarlyView.Abstract Australian government organisations are pivotal in helping to meet the United Nations sustainable development goals. Yet while these organisations promote sustainability in their strategic plans, they struggle to embed these same commitments into their own infrastructure and construction projects. This study examines this persistent disconnect
Richard Hughes, Kerry Brown
wiley +1 more source
The national specificity of horror sources in Asian horror cinema [PDF]
, 2012 This dissertation explores the relationship between horror films and the national contexts in which they are produced by analyzing several Asian horror movies – Ringu (Japan), The Eye (Hong Kong) and Shutter (Thailand).
Boey, Danny
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Fedro, 2020 “El horror, el horror”. Con estas palabras finaliza El corazón de las tinieblas, la célebre novela de Joseph Conrad. Más que de una impresión o de una simple experiencia, tenemos la sospecha de que lo que el coronel Kurt, cuyos perfiles en nuestra ...
Revista Fedro
doaj
Horror as a Fundamental Philosophical Category in Dostoevsky’s Work (Based on the Novel The Double) [PDF]
Достоевский и мировая культура: Филологический журналWhen it comes to horror as a fundamental philosophical category, it is important to consider a number of aspects. Firstly, the difference between fear and horror is not quantitative, i.e. it is wrong to perceive horror as an accumulation of fear. Turning
Ksenia N. Kholodnova
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Death, disintegration of the body and subjectivity in the contemporary horror film [PDF]
This thesis is an attempt to account for the contemporary American horror film's increased reliance upon images of bodily dismemberment and decay. At the core of this exploration is an inspection of the body's capability as a metaphor by which our ...
Boss, Peter John
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Individualism Without Individuality: Friedrich Hayek and the Neoliberal Citizen
Constellations, EarlyView.ABSTRACT Critics of neoliberalism increasingly examine its corrosive effects on democracy. Scholars often turn to Friedrich Hayek's political theory, arguing that it produces citizens who passively conform to spontaneous social orders. Yet insufficient attention has been paid to the normative conception of the human individual underlying his ...
Tal Tzur
wiley +1 more source
Shadow Selves: A COLLECTION OF SHORT HORROR STORIES
, 2019 Horror stories are amongst the oldest forms of entertainment. The horror genre has focused on death, evil, demons, and life. The genre plays with the darker side of our psyches—the shadow self—and creates monsters, witches, creatures, ghosts, and people ...
Frulla, Gabrielle
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