Results 81 to 90 of about 464,445 (337)
Dark Places : Ecology, Place, and the Metaphysics of Horror Fiction
Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2015 This article deals with the generally underestimated importance of horror fiction for eco-critical thinking about place. It looks at three major horror writers, Poe, Lovecraft, and VanderMeer, exploring the ways that each plays with and deepens our ...
Brad Tabas
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Horror image recognition based on context-aware multi-instance learning [PDF]
, 2015 Horror content sharing on the Web is a growing phenomenon that can interfere with our daily life and affect the mental health of those involved. As an important form of expression, horror images have their own characteristics that can evoke extreme ...
Hu, W. +5 more
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Why do politicians employ public–private partnerships? Results from a mixed‐method study
Australian Journal of Public Administration, EarlyView.Abstract Public–private partnerships (PPPs) have become increasingly common in government infrastructure programs around the world. This study collates and categorises the types of rationales that scholars have identified as the reasons for governments to use PPPs.
Sebastian Zwalf
wiley +1 more source
Pragmatics Analysis of Presupposition as Found in The Tagline of Horror Movie Posters
Vivid: Journal of Language and Literature, 2020 This research is about pragmatics analysis of presupposition as found in the tagline of horror movie posters. This research aimed to discover presupposition triggers and type of presupposition in the tagline of horror movie posters. In this research, the
Yelmi Roza, Ayumi Ayumi
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Imagination in Critical Theory: Utopia, Ideology, Aesthetics
Constellations, EarlyView.ABSTRACT This article explores the role of imagination in critical theory, addressing its conceptual ambiguity and its synthesis of three distinct but interrelated strands. The first, rooted in Freud's theory, sees imagination as wish‐fulfillment—necessarily unreal yet foundational to utopian thought.
Markus Gante
wiley +1 more source
Labors of Fear: The Modern Horror Film Goes to Work, edited by Aviva Briefel and Jason Middleton
Alphaville: Journal of Film and Screen MediaFrom the gory cover art of VHS tapes to the iconic imagery of chainsaws, horror films have long been misconstrued as mere vehicles for shock and sensation.
Blake Lynch
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Library horror stories: Primary vs secondary sources [PDF]
, 2018 Poster made for a Halloween 2018 Library Horror Stories series mentioning different library related horror stories.
Dreyfuss, Dorian Rachel
core
Journal of the Royal Anthropological Institute, EarlyView.While death remains a popular topic for anthropology, relatively few ethnographic accounts consider the modern bureaucratic processes accompanying it. One such process is public health autopsy, which scholars have largely taken for granted. Existing analysis has regarded it as a form of ‘cultural brokering’ and autopsy reluctance in communities is seen,
David M.R. Orr
wiley +1 more source
Horror and Memory: Traces of Collective Memory in Turkish Horror Cinema
4. Boyut Medya ve Kültürel Çalışmalar DergisiThe deep narrative universe of Turkish horror cinema that reflects collective memory, Islamic and Turkish mythology, spatial reminders and traumatic memories combine to offer individuals a story that is both familiar and uncanny. In addition to examining
Çağla Coşar
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, 2017 Horror is a relatively new emotion. It is based on the subversion of a scientific account of the world. Therefore, it could not have existed prior to the establishment of such an account.
Mršović, Aljoša
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