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Genre, culture and the semiosphere: New Horror cinema and post-9/11
International Journal of Cultural Studies, 2015Angela Ndalianis
exaly
This is the first study to explore South Africa both in horror cinema and as a formidable producer of celluloid scares. From framing the notorious apartheid system as a mental asylum in the ground-breaking and criminally underseenJannie Totsiens(Jans Rautenbach, 1970) to such seventies exploitation shockers asThe Demon(Percival Rubens,
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The feminine appeal of British horror cinema
New Review of Film and Television Studies, 2015Alison Peirse
exaly