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Positive Freedom and the Social Meaning of Money

Journal of Applied Philosophy, EarlyView.
ABSTRACT Semiotic objections to markets hold that buying and selling certain things – for example, sex, body parts, votes, surrogacy services – expresses that those things are fungible with money, which has only profane value. This article offers a more fundamental challenge to semiotic critiques of market.
Andrew Allison, Jason Brennan, Peter Jaworski +2 more
wiley +1 more source

A RECEPÇÃO DE OS MISERÁVEIS NO BRASIL DO SÉCULO XIX RECEPTION des Misérables à Century BRÉSIL XIX

Signótica, 2000
Este trabalho tem por objetivo analisar três ensaios sobre o romance francês Osmiseráveis, de Victor Hugo, a que leitores brasileiros do século XIX tiveramacesso.
OFIR BERGEMANN DE AGUIAR
doaj +1 more source

Victor Hugo ve İbrahim Hakkı’nın Bir Şiirinin Metinlerarasılık ile İncelenmesi

Düzce Üniversitesi Sosyal Bilimler Dergisi
Metinlerarasılık, bir veya daha fazla metin arasındaki etkileşim ve metinlerin başka bir metin içinde yeniden yazılmasıdır. Öncel bir metnin başka bir metinde yeniden yazılması metni yeniden canlandırmaktadır.
Şükran Koçak
semanticscholar +1 more source

Genome‐Wide Assessment Reveals Ancestral Differences in Homozygosity Patterns Potentially Linked to Parkinson's Disease Etiology

Movement Disorders, EarlyView.
Abstract Background Recessive genetic variation and extended runs of homozygosity (ROHs) may contribute to the unexplained heritability of Parkinson's disease (PD), particularly in diverse and understudied populations. Objective We conducted the first large‐scale, multi‐ancestral investigation of PD to examine the impact of genome‐wide homozygosity on ...
Kathryn Step +680 more
wiley +1 more source

Notre Dame de Paris, Romance Dramático?

Remate de Males, 2015
Este artigo analisa Notre Dame de Paris, romance de Victor Hugo publicado em 1831, explorando o significado da obra em relação com os debates que tiveram lugar ao longo da década de 1820.
Jefferson Cano
doaj +1 more source

Expressão e contenção da emoção em quatrevingt-treize: a figura sublime [PDF]

, 2011
A análise de Quatrevingt-treize, de Victor Hugo (1874), que propomos tem por base a forma como a contenção e a expressão das emoções se articulam nesta obra, contribuindo para a caracterização das diferentes personagens, ou dos diferentes tipos de ...
Quinteiro, Sílvia Moreno de Jesus e
core

La métaphore dans le poème Océan de Victor Hugo

Digital Press Social Sciences and Humanities, 2019
Victor Hugo is one of the romantic poets who has experience in politics. He criticized the Second Empire and Napoleon III almost all his life and his criticism became the cause of his exile.
Bagas Anugrah Perdana, Myrna Laksman-Huntley +1 more
semanticscholar +1 more source

Fiscal grievance politics: wealth taxation and master‐race democracy in post‐coup Bolivia Politique des griefs fiscaux : impôt sur la fortune et démocratie de la race maîtresse en Bolivie post‐coup d’État

Journal of the Royal Anthropological Institute, EarlyView.
This article analyses a new wealth tax (the IGF) in Bolivia against the backdrop of the 2019 ousting of former president Evo Morales. In doing so, it engages calls for ‘a return to politics’ in anthropology by proposing the notion of a ‘fiscal grievance politics’ as animating elite opposition to the tax in lowland Santa Cruz department. I show that the
Charles Dolph
wiley +1 more source

Et s’il n’en reste qu’un… Le mépris comme arme de combat chez Victor Hugo

Acta Universitatis Lodziensis: Folia Litteraria Romanica, 2020
Victor Hugo, homme de combat, a adopté à de nombreuses reprises la posture du « seul contre tous » dans sa vie politique comme dans sa vie littéraire. Le mépris, assorti de l’ironie et d’un sens féroce de la polémique, apparaît alors comme une arme de ...
Delphine Gleizes
doaj +1 more source

Secularism, Gender and Masculinity in Nineteenth‐Century Cremation in Europe and the USA

Gender &History, EarlyView.
ABSTRACT This essay explores, from transnational perspectives, the early history of modern cremation, which developed in the long nineteenth century with secularist connotations. I argue that the beginnings of modern cremation were shaped by bourgeois men who claimed certain identifiers for themselves in a gendering and Othering way.
Carolin Kosuch
wiley +1 more source

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