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La pratique intertextuelle dans À Rebours de Joris-Karl Huysmans

Cahiers Africains de Rhétorique
A rebours de Joris-Karl Huysmans s’appréhende sur le plan scriptural et esthétique comme le lieu privilégié des interactions discursives et de toutes formes d’interculturalité.
Augustin Nombo
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El satanismo en la novela Allá lejos de Joris- Karl Huysmans

Tesis (Lima)
The present article analyzes Satanism in the novel Là-bas by Joris-Karl Huysmans, a representative author of the literary school of Decadence. In this work, Huysmans presents his paradoxical proposal of spiritualist naturalism, where he explores an ...
Salvador Carrillo Miani
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Catholic Idiom and the Dialectic of Reading: A Meditation on Joris-Karl Huysmans’s Novel À rebours

Religions
Huysmans’s novel À rebours can be seen as an epitome of the dialectic implied by the term peccata lectionis: reading can only come into its own through certain ‘sins’ inherent to it while possibly compromising it. Such ‘sins’ are involved in the decision
Gábor L. Ambrus
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Écfrasis, erotismo y fin de siglo: Joris-Karl Huysmans y Gustave Moreau

Letras
En À rebours (1884) de Joris-Karl Huysmans, el protagonista Jean des Esseintes realiza un camino hacia el interior: se encierra formalmente en su casa y restringe el arte a un interior en su defensa contra el exterior, el mundo de los negocios de una ...
O. Ette
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Se paysanner: Perilous Non-Contemporaneity in Joris-Karl Huysmans's En rade

Nineteenth-Century French Studies, 2020
:This article studies the temporal dynamics that underpin the representation of rural life and the peasantry in Joris-Karl Huysmans's 1887 novel En rade.
Erag Ramizi
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La critique d'art de Joris-Karl Huysmans. Esthétique, poétique, idéologie

, 2020
Étudier la critique d’art de Joris-Karl Huysmans soulève des enjeux esthétiques, poétiques et idéologiques. Si elle constitue un genre à part entière, que l’auteur a pratiqué en tant que tel, la critique d’art entretient des relations de complémentarité ...
Aude Jeannerod
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Joris-Karl Huysmans et le refus du moderne: autour des <>

Cahiers ERTA
Huysmans moved from Zola’s naturalism to a radical critique of the modern world, which he associated with ugliness, vulgarity, and spiritual decline.
Agata Sadkowska-Fidala
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