Results 111 to 120 of about 528 (141)
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Poetry and Hymnography (3): Syriac
2009AbstractPoetry has always played a very important role in the history of Syriac literature, and even today, collections of poems by contemporary authors continue to appear. Verse can often also serve as the vehicle for instruction, the most notable example of which is the thirteenth-century polymath Bar 'Ebroyo's verse Grammar.
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Kata Stichon Hymnography in the East Slavic Tradition
Religions, 2022Aleksandr Andreev, Hieromonk Dalmat
exaly
Poetry and Hymnography (2): The Greek World
2009Abstract Greek Christian hymns are a massive part of the surviving literary record of the early church, but have rarely attracted the level of scholarly attention that they deserve. This article discusses Greek hymnody; the classical origins of the Greek Christian hymns; the Bible and the ancient liturgy; stages of Syrian influence on ...
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A History of Byzantine Music and Hymnography
The Musical Times, 1949Edmund Rubbra, Egon Wellesz
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Interactions between Syriac And Greek Hymnography
The Syriac Annals of the Romanian AcademyFor about 1000 years, from the 4th to the 13th century, Syriac and Greek hymnographical traditions interacted in various ways. Earlier on, the Syriac tradition enjoyed the greater prestige, but from the 6th century onwards Greek hymnography exerted an increasingly strong influence on the Syriac tradition; first, this was with the Syriac translations of
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The Beginnings of Hymnography in Ereṣ Yisra’el and Babylon
1997This chapter focuses on Ereṣ Yisra’el, the birthplace of the piyyuṭ and the home of the anonymous poets (4th–6th c.) who generally followed biblical models — most notably the book of Psalms — in their liturgical writings. Some of their structural and stylistic innovations prompted the more imaginative creativity of their successors. Yose b.
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Jewish Hymnography. A Literary History
The Jewish Quarterly Review, 1999Ángel Sáenz-Badillos +2 more
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The Theotokos in Byzantine hymnography: typology and allegory
2017Hymns in honour of the Theotokos are sung, according to the cycles of the Byzantine liturgical year, both for the feasts of the Mother of God (Eaiicoineeaae Ainoas) and as theotokia, following the cycle of the Oktoechos, especially on Wednesday and Friday each week.
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