Results 31 to 40 of about 330 (162)
Celebration of the Hyperreal Nostalgia: Categorization and Analysis of Visual Vaporwave Artefacts
Meno Istorija ir Kritika, 2021 Vaporwave grabs the attention of internet voyager with harsh collages glued together in a technically primitive manner. It’s a cultural phenomenon which both originated and is active solely on the internet.
Dovydaitis Gytis
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Mapping the source of the hyperreal : re-evaluating the emergence of hyperreality
, 2022 Hyperreality now colonises so much of the twenty-first century, from politics to coffee flavours in Starbucks. It has become a powerful and ubiquitous force. This thesis argues that hyperreality is a saturating and commonplace force that needs to be explored, properly defined and its origins discovered.
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Toxic utopia: Unseen ideology and “Le Politique” in China Miéville's The City & The City
Orbis Litterarum, EarlyView.Abstract What if ideology were not just hidden—but aesthetic? This article reads China Miéville's The City & The City not as a metaphor for division, but as a speculative blueprint for how politics operates through enforced invisibility. By threading Derrida's Absolute Other and Rancière's le politique through Miéville's uncanny urban layering, we ...
Bo Kampmann Walther, Rune Graulund
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Cinema, Phenomenology and Hyperrealism [PDF]
, 2020 Traditionally, hyperrealistic mannequins have embodied the dream (or rather the nightmare) of animating the inanimate: by imitating the living model to such an extent that any distinction becomes (almost) impossible, they blur the threshold between life and inert matter.
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Exploring Human‐LLM Collaboration for Creativity Through the Lens of Concepts
The Journal of Creative Behavior, Volume 60, Issue 3, September 2026.ABSTRACT We conducted a theoretical exploration into how human‐LLM collaboration can facilitate the emergence of creativity through the lens of concepts—a notion that is central in the philosophical discussions regarding human knowledge creation. Kant considers concepts to be an epistemological tool that transforms people's perceptual, intuitive ...
Honghong Bai +4 more
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The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality [PDF]
Text Matters: A Journal of Literature, Theory and Culture, 2018 Hyperreality is a key term in Jean Baudrillard’s cultural theory, designating a phase in the development of image where it “masks the absence of a profound reality.” The ambiance of Joseph Heller’s Catch-22 (1961) closely corresponds to Baudrillard’s notion of the hyperreal as images persist to precede reality in the fictional world of the novel. Since
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Antipode, Volume 58, Issue 5, September 2026.ABSTRACT While Black and visual geographies have examined the image's racial and spatial power, more work is needed to analyze how racial frames of view become spatially embedded. This paper advances such a practice by analyzing news images of homelessness in Oakland.
Clara Pérez Medina
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The hyperreal closet: Identity formation and commodification in the Philippine Alter X spaces
International Review of Social Sciences ResearchThis study provides an examination of Alter X (Twitter Alter) as a hyperreal digital realm using Jean Baudrillard’s concept of hyperreality, Judith Butler’s notion of performativity, and Critical Theory as its theoretical framework.
Nikky S. Garo +5 more
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After the Hype: Resilience Seeking in Emerging Technology Ecosystems
Journal of Product Innovation Management, Volume 43, Issue 5, Page 793-826, September 2026.ABSTRACT Academic Summary Hype often helps emerging technology ecosystems gain early support for their innovative value propositions, but the initial excitement around the technology typically vanishes at some point. This decrease in excitement and support may lead some ecosystems to fail while others are resilient and recover.
Fiona Schweitzer +2 more
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Lope in Manhattan: Hyperreality, Space, and Violence in Julián Mesri’s «Fuenteovejuna»
Anuario Lope de Vega: Texto, Literatura, Cultura, 2018 This analysis of Repertorio Español’s 2013 production of Lope de Vega’s Fuenteovejuna in New York City focuses on the elements of communication, space, and violence.
Christopher D. Gascón
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