Results 61 to 70 of about 1,625 (175)
This work compares the articles published by Quim Monzó in the early 1980s in the newspaper Avui and its versions published in the collection El dia del senyor (The Day of the Lord) of 1984.
Xavier Hernàndez i Garcia
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Abstract This study involves translating, cross‐culturally adapting, and validating the Literary Response Questionnaire (LRQ) for 413 Spanish adolescents. It explores the evolution of literary education in Spain and its alignment with the Reading Responses paradigm.
Diana Muela‐Bermejo +2 more
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This article carries out a hypertextual analysis of the play Arnau (1984) by Rodolf Sirera, regarded as a rewriting of El comte Arnau (1928) by Josep M. de Sagarra.
J. Àngel Cano Mateu
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In this article, we will analyze the poem of Josep Palau i Fabre «La naixença de Venus. Botticelli» which will be a way to approach the alchemy poetry conception of our author.
Estel Aguilar Miró
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The aim of this paper is to carefully analyse the rewriting process that Maria Aurèlia Capmany did of her short novel Traduït de l’americà (1960, written 1959) to transform it into the novel Ves-te’n ianqui o, si voleu, traduït de l’americà (1980 ...
Vicent Simbor Roig
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Paròdia sobre paròdia. C. A. Jordana reescrit per Mercè Rodoreda
This paper proposes a reinterpretation of plot parallelisms between El collar de la Núria (1927), by C. A. Jordana, and Crim (1936), by Mercè Rodoreda.
Catalina Mir
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Being a Sensible Woman: Hypertextuality in Grimm’s Fairy Tale and Juliet Marillier’s Wildwood Dancing [PDF]
The re-writing of a fairy tale caters for characters, settings and values that have undergone changes, be it explicit or implicit. In Juliet Marillier’s Wildwood Dancing, the main female character Jena is transformed from the passive and obedient Twelfth/
Adji, Alberta Natasia +1 more
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Relaciones hipertextuales en la primera etapa de Rodolf Sirera (1969–1977)
In the article titled Hypertextual Relations in the First Phase of Rodolf Sirera’s Career (1969–1977), our object of study will be the plays composed by Rodolf Sirera (born Valencia, 1948) during the first phase of his career, between 1969 and 1977 ...
Ramon X. Rosselló
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Paratexts in Travel Blogs, Travel Books\u27 Hypertextuality, and Medial Format Usage [PDF]
In his article Paratexts in Travel Blogs, Travel Books\u27 Hypertextuality, and Medial Format Usage Stefano Calzati compares a number of contemporary travel books and travel blogs.
Calzati, Stefano, Stefano Calzati
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Madeline Miller’s The Song of Achilles (2011) is an imaginative rewriting of Homer’s Iliad. The writer uses the strategy of transfocalization and enters the text from the point of view of Patroclus.
Maria Antonietta Struzziero
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